Word: whistlerisms
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...last years, from 1865 or so until his death, Corot produced an exquisite series of small figure paintings, mostly of young women sitting before the easel in the brown clutter of his studio. Some remind you of Chardin, others are prophecies of Whistler. Interrupted Reading, circa 1870-73, is strikingly modern in its broadly painted triangular planes of muted color, regulated by two patches of black--the model's hair and her bodice--and relieved only by some red coral beads. Its Raphaelesque formal clarity looks back to neoclassicism but also forward to Picasso's dropsical women. It shows that...
Etchings by James Whistler, Edward Hopper, Pablo Picasso, Jasper Johns, as well as other less well-known artists, are currently on display at the Fogg Museum in the special exhibition "Etching and Etchers Since 1850." The show highlights etchings done since etching became a rare artistic medium--that is, since the invention of photography and less expensive print processes allowed for mass-production of illustrations and rendered etching an inefficient process...
These are just a few of the many alternatives to taxpayer funding. Let's pursue them. Our nation has thrived for most of its existence without federal intrusion into the arts and humanities. That tradition has produced a formidable cultural heritage--Mark Twain, Eugene O'Neill, George Gershwin, James Whistler, Cole Porter and Irving Berlin, to name but a few. It is time to restore that tradition. In the words of Thomas Jefferson, "It is error alone which needs the support of government. Truth can stand by itself...
...artistically, he was entirely a European. None of the American preoccupations with national landscape found the smallest echo in his work--not the sublime rhetoric of Frederick Church, not the tight-surfaced stillness of the Luminists and certainly not the blunt factuality of Winslow Homer. Whistler was a superb topographical etcher, as his scenes of London, Amsterdam and Venice show; but he cared nothing for realism when aesthetics pointed away from...
...most beautiful of his Thames nocturnes of the 1870s, depicting Old Battersea Bridge in a luminous blue twilight, appearance is sliding off into illegibility under the aegis of Japanese prints; Hokusai, one of Whistler's favorite artists, had done a similar scene of fireworks at night behind a tall wooden bridge. The real Battersea Bridge was too stumpy for Whistler, so he made it into a tall Orientalized dream, with the falling rocket fire spangling the dusk like gold flakes on Japanese maki-e enamel. If he could choose where he was born, he could certainly decide what country...