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...overly bright as a student, attended two Swiss schools to learn French but got most of her education at the private coed Zahle School in Copenhagen. One day, startled by a piercing wolf whistle from outside, a Zahle teacher snapped in Danish: "Some kind of punk!" The whistler was Constantine, come to carry Anne-Marie's books back to Amalienborg Palace...

Author: /time Magazine | Title: Scandinavia: And a Nurse to Tuck You In | 7/3/1964 | See Source »

...abrupt, progressive vision of the orchestra at Paris' Cirque d'Hiver. In his private art he experimented with new ways of seeing; he tried his friend Monet's impressionism, exhausted the old masters, learned much from the arrangements of lights and darks painted by his contemporary Whistler (though Whistler called him "a sepulcher of propriety"). In his The Birthday Party, he used the blurry-faced male figure-who commissioned the work and approved of its final, unfinished look-as a foil to set off the foreground scene of a mother cutting cake for her child...

Author: /time Magazine | Title: Art: Instead of Paughtraits | 4/17/1964 | See Source »

Flown into New York City, to go on display at once at the Guggenheim Museum, were 120 Van Goghs (60 paintings and 60 drawings) strapped to seats in a jet. And Whistler's 92-year-old mobile Mother, lent by the Louvre, went on view in St. Louis...

Author: /time Magazine | Title: Art: Priceless Peripatetics | 4/10/1964 | See Source »

Bruce Conner, 30, begins his A Movie (which lasts only twelve minutes) with a shot of a young and magnificently shaped woman sitting in profile, like Whistler's Mistress, wearing only a black garter belt. Cut. Savage Indians are next, seen slaughtering defenseless pioneers. An elephant charges furiously. Racing cars crash in clouds of dust and fire. A girl lies languidly back on a bed. Dissolve to a submerged submarine shooting a torpedo. The H-bomb goes off. Motorcycles race through mud. A biplane crashes into a lake. That famous Tacoma bridge whips in the wind and collapses...

Author: /time Magazine | Title: Cinema: In the Year of Our Ford | 4/3/1964 | See Source »

PAINTERS OF THE BEAUTIFUL-Durlacher, 538 Madison Ave. at 54th. "Cockney impudence," snorted Ruskin at Whistler's painting. Whistler sued and won. The arrows the Victorians flung at one another had more zing than their painting, which they tried to free from what they called the "claptrap" of emotions. Albert Moore, Charles Conder and Lord Leighton come close to succeeding; Whistler, fortunately, does not. Beauty without feeling, after all, is like being dressed up with no place to go. Some 30 works in various media. Through March...

Author: /time Magazine | Title: Art: Art in New York: Mar. 27, 1964 | 3/27/1964 | See Source »

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