Word: whistlerisms
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...print collection an unusually large number of additions have been made. Mr. Paul J. Sachs '00 has given Rembrandt's "Great Jewish Bride," the "Sheperdess Knitting," by Millet, sixty-one etchings by Jacquemart, and fifty-one etchings by Herman A. Webster. "The Furnace Nocturne," by Whistler came from an anonymous giver. Mr. Francis Bullard '86 presented the "Clyde" form Turner's "Liber Studiorum" and Lupton's copy of the "Mill near the Grand Chartreuse." Thirteen etchings by James D. Smillie were received form his son, Mr. James C. Smillie. The Nocturne, a lithotint by Whistler was purchased from the income...
...Fogg Museum has recently received by gift a very fine impression of Whistler's etching, the "Furnace Nocturne." It is one of the Venice subjects, and belongs to the set known as the "Twenty-six Etchings" published in 1886. In the printing, Whistler produced a tone upon the plate, making it a "nocturne," one of the few plates treated in this way. This print is a distinct addition to the print collection of the Fogg Museum...
...Museum has also recently acquired a very beautiful lithograph of a "Nocturne," by Whistler, which will be added to the Gray collection...
...leading article of the current Monthly is a serious and thoughtful essay on "Whistler and the Multitude" by L. Simonson. The author is mistaken, I think, in one of his main theses, that art has no message for the multitude; he is right if he limits himself to the Anglo-Saxon multitude, but wrong if he remembers the Italian; for example one of the most encouraging things in our American composite life is a Sunday afternoon visit to the Museum of Fine Arts in Boston. Mr. Simonson is wrong, too, in choosing the slashing style, in throwing other critics...
...James McNeill Whistler," by E. L. Cary...