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...first play, halfback Sammy Robinson fumbled as he was hit and Penn's John Rodgers pounced on the ball at the five. But the Crimson defense stacked McGill up twice and fullback Whit Smith once to put Penn into a fourth down situation...

Author: By Lee H. Simowitz, (SPECIAL TO THE CRIMSON) | Title: Crimson Slogs to 10-10 Tie With Penn | 11/1/1965 | See Source »

...Quaker backfield is not particularly distinguished. Fullback Whit Smith is a hard-running 220-pounder with a 3.0 yard rushing average. Halfback Buzz Hannum, a third-stringer last year, has a 2.9 yard average...

Author: By R. ANDREW Beyer, | Title: Crimson Face Molloy-Less Penn Today | 10/30/1965 | See Source »

...that is Lorca's hallmark. The imagery that surprises in print, astonishes in pictures. Lorca's Ode to Walt Whitman, for example, goes: "Not for one moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies." And there is Prieto's Whit man, bewilderingly beautiful with butterflies snared in his flowing beard. The Shoemaker's Prodigious Wife, meanwhile, has starlings nestling in her hair in a delightful depiction of a popular Spanish saying describing a frivolous

Author: /time Magazine | Title: Drawing: Sketches of the Banned | 8/20/1965 | See Source »

Andrew Johnson, argues Stampp, was a class-conscious Jacksonian. He nourished the self-made man's hate of the aristocratic planter class. This gave him a superficial bond of allegiance to the Radicals. But Johnson wished to thrust the poor Southern whites upward, and cared not a whit for the Negroes. When Johnson's aim became clear, many Republicans thought they had been betrayed and turned against him. Johnson's difficulties with the Congress multiplied when, through his ineptness, the planter class, not the yoemanry, gained ascendence in the Southern states. The aristocrats proceeded to enact the Black Codes, stripping...

Author: By Ben W. Heineman jr., | Title: Revising Thoughts on the Irreversible | 5/28/1965 | See Source »

...tapestries. Today Wedgwood, under the direction of the founder's great-great-great-grandson, has kept pace with the 20th century, has a complete line of modern ceramic ware. But the firm still continues to make many of the wares that Josiah Wedgwood originally designed. Not a whit of the craftsmanship that makes Wedgwood endure has changed. A current exhibition at the Paine Art Center and Arboretum in Oshkosh. Wis., brings together nearly 700 pieces of early Wedgwood, showing that the most fragile art has the most abiding colors (see opposite page...

Author: /time Magazine | Title: Ceramics: Britain's Royal Potter | 5/21/1965 | See Source »

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