Word: white
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Dates: during 1960-1969
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...short presentation only a very small selection of them can be alluded to. I shall, therefore, concentratet (1) on the parallels to the German situation before Hitler; (2) on a few of the factors which contribute to the widespread unrest among relatively large numbers of students, black and white; (3) on the small group of leaders who, by making skillful use of the general unrest succeed in doing damage way beyond the importance of this group because of their tactics of intimidation and coercion and due to the publicity they receive; (4) the particular difficulies of some black students which...
Nabokov finally takes hold and orders, mirabile dictu, a Swiss red. Vera accepts, graceful in this as in everything. With finely drawn, strong features, alabaster skin, brilliant white hair, exquisite hands, she is a natural beauty. Their dinner conversation thrives on little disagreements, contrapuntal, and often not really resolved. In one exchange, Vera begins by explaining the mating ritual of the crested grebe, a grubby little bird which frequents the lake. They never touch, she says, waggling a delicate finger, but wiggle one foot back and forth. "No, no, no, no, no," says Vladimir, who has let this...
...March, Northwest revised its January proposal and offered a complex package of debentures, preferred stock and warrants, then worth about $75, for a share of Goodrich ($50). Keener, who dismissed what he called a "funny money" offer, had assembled a potent band of allies. For legal advice, he had White & Case, the Manhattan firm that masterminded American Broadcasting's successful defense against Howard Hughes last year. As investment bankers, he had First Boston Corp. To burnish Goodrich's image, Keener used three public relations firms, among them Hill & Knowlton, the world's biggest...
Though The Round Up is Jancso's fifth feature, it was preceded in America by his sixth, The Red and the White...
...persons. Though Jancso is sometimes eclectic, he borrows only from the best, from the wintry compositions of Ingmar Bergman or from Goya's acid Disasters of War. At his most original, the director resembles neither film maker nor painter. In his own deep-dimensioned, black and white montages, he seems a sculptor who scrapes his material from the soil of his native land and gives it a cast of permanence...