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Word: whitely (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...could be that God is non-white and it is we, the white race, who are being punished...

Author: /time Magazine | Title: Letters, Sep. 28, 1959 | 9/28/1959 | See Source »

...background, Safran selected symbols of the strong, busy nation that Khrushchev would see when and if he had the patience and interest to look: tall Iowa corn; a white-painted New England church; buildings under construction in U.S. cities; an Army Redstone missile; a gate at Brown University in Providence, R.I.; a new U.S. automobile; the presence of the guiding spirit of Abraham Lincoln...

Author: /time Magazine | Title: A Letter From The Publisher, Sep. 28, 1959 | 9/28/1959 | See Source »

...unparalleled industrial complex between Washington and New York City. Instead, he set his own course through the serried ranks of U.S. diplomats, businessmen, civic brasshats and movie actresses, as if in search of more Marxist cliches to take home. Even when his hosts drove him through towns with tall white steeples, through prosperous farms, friendly campuses and towering skyscrapers, he barely bothered to look out the window. At week's end in San Luis Obispo, Calif., he turned the Marxist cliche around by complaining that the American "authorities" had not let him meet the real people, had kept...

Author: /time Magazine | Title: THE NATION: The Long March | 9/28/1959 | See Source »

Sardinian-born sculptor Costantino Nivola has contributed two works to the uncompleted commons wing of Quincy. His graffito--a combination of fresco painting and engraving on white stucco--adorns the west wall of the main dining room, while a Nivola bas-relief covers the wall separating the stairwell from the dinning room...

Author: NO WRITER ATTRIBUTED | Title: Nivola's Work Brightens Quincy House | 9/21/1959 | See Source »

...graffito, which the artist and his 15-year-old son Peter completed in one day late in August, is 30 feet wide and 16 feet high. Working behind a team of plasterers who spread a quarter inch of white stucco over the black wall, Nivola first outlined his figures in paint with a thin brush. Then he and his son filled in the outline with solid blues, yellows and orange. Finally Nivola scratched deep lines through the colors and plaster to the black wall...

Author: NO WRITER ATTRIBUTED | Title: Nivola's Work Brightens Quincy House | 9/21/1959 | See Source »

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