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Kenton is a 6 ft. 4½ in. Californian who at 36 has the same ambition Paul Whiteman had in the '20s: to marry classical music and jazz. In Whiteman's case, what emerged was pseudo-symphonic-a blend of Tin Pan Alley and Tchaikovsky. In Kenton's, it is a driving, nervous (and technically skillful) wedding of swing and Schonberg. Kenton started his outfit in 1941, got ahead fast by getting up early to sign autographs, and looking up disc jockeys whenever he hit a new town. For the past two years, his musicians have been...

Author: /time Magazine | Title: Music: He Calls It Progress | 3/1/1948 | See Source »

...live musicians during campaigns; he promoted municipally financed concerts in Grant Park. In 1939 he expressed his gratitude for this largesse with a concert honoring Mayor Kelly. In so doing he gave a dramatic demonstration of his own power. At his "suggestion," 23 band leaders, among them Paul Whiteman, Fred Waring, Tommy Dorsey and Kay Kyser, brought their orchestras to Chicago at their own expense. The concert orchestras of the National, Columbia and Mutual broadcasting systems came...

Author: /time Magazine | Title: LABOR: The Pied Piper of Chi | 1/26/1948 | See Source »

...cornet in Cambridge, Louis Armstrong and Bix Beiderbecke were in the national spotlight on these instruments respectively. Both are among the cornerstones of Kennedy's record collection, which also includes nearly every now priceless record Bing Crosby made before he started to groan and ceased to sing with Paul Whiteman and the Rhythm Boys...

Author: NO WRITER ATTRIBUTED | Title: WHRV Airs Disc Jockey Kennedy Tonight | 11/19/1947 | See Source »

...best friends were accusing it of settling into a state of lucrative mediocrity. To bring the crowds in, the long-suffering Hollywood Bowl Symphony Orchestra had been doing some strange tricks this season, sometimes with only a single rehearsal. It played an all-Gershwin concert under Paul Whiteman's baton; it struggled through an evening of "Music of the Americas" led by Xavier Cugat (who complained bitterly during, a 1946 rehearsal that the orchestra failed to "pay him any respect"); it accompanied Margaret Truman's concert debut...

Author: /time Magazine | Title: Music: Boon for the Bowl | 9/15/1947 | See Source »

...which had long closed its ears to the small talk, big commercials and occasional records of the jockeys, had signed famed Jazzman Paul Whiteman for an hour spin five days a week. Mutual last week opposed him with an older spinster: Martin Block. From his four sponsors, Whiteman will gross $208,000 a year; Block will get $312,000, plus a couple of hundred thousand more from Manhattan's WNEW and Los Angeles' KFWB (altogether, disc jockeying's top dollar...

Author: /time Magazine | Title: Radio: The Jockeys | 6/9/1947 | See Source »

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