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Word that typewriters, revolver shots and police sirens would concatenate in Carnegie Hall, last week drew a crowd unaccustomed to entering Manhattan's most formal music house. Theatre folk, songwriters and newspapermen flocked to hear tabloid Paul Whiteman (126 Ib. thinner than he used to be) play Tabloid. It had been written for him by his oldtime orchestrator, squat, baldish Ferde Grofé who now runs the Grofé Realty Co. in Teaneck...

Author: /time Magazine | Title: Music: Mrs. Carpenter's Dot | 2/6/1933 | See Source »

...accurate picture of the death house that he visited Sing Sing, pretending to be a lawyer's clerk. But in spite of his pains, in spite of instrumentation gaudy as the newssheet he was depicting, in many a critical opinion Grofé came in second at Paul Whiteman's concert...

Author: /time Magazine | Title: Music: Mrs. Carpenter's Dot | 2/6/1933 | See Source »

Some Denverites: Railroadman George Mortimer Pullman, Shoeman William Lewis Douglas, Douglas Fairbanks, Assistant Secretary of State James Grafton Rogers, Paul Whiteman, Author Courtney Ryley Cooper, Silverman Simon Guggenheim whose son is named George Denver...

Author: /time Magazine | Title: Art: Denver's Coronet | 8/15/1932 | See Source »

...Robinson Crusoe's Man Friday had left him, gone adventuring on his own, it would have upset 18th Century literature no more than jazzdom was upset last week when Ferde Grofe stepped forth in Manhattan as a conductor. For 13 years Ferde Grofe was Paul Whiteman's right-hand man. He made all the symphonicky arrangements which earned the Whiteman orchestra its serious regard. Expensive radio stars had a hand in last week's concert : enormous Vaughn De Leath, announced as the first voice to go on the air; fat Morton Downey who looked foolish singing "Kiss...

Author: /time Magazine | Title: Music: Friday on His Own | 2/15/1932 | See Source »

Music for Grofe then came to mean playing every instrument in the band. He toured the California mining camps with one Professor Jerome who gave the miners dancing lessons. He played once in a brothel. He played in the first Paul Whiteman orchestra when jazz, unknown in the East, was starting its swift, insidious advance on the Barbary Coast. A good musician, a born improviser, he was soon mak-ing all the Whiteman arrangements. Whiteman commissioned George Gershwin to write him some music for a serious concert. Gershwin's Rhapsody in Blue was a piano solo. Grofe scored...

Author: /time Magazine | Title: Music: Friday on His Own | 2/15/1932 | See Source »

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