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...than anything in the man's avidly documented history. Wisely and decently ignoring the circumstances of his death and the circus that followed it, Ortega focuses on the re-creation of about a dozen Jackson standards for the concert. ("Beat It," "Billie Jean," "Wanna Be Startin' Somethin'," "Black and White" and "I'll Be There" are all here.) At times several takes of a song are edited into one performance; you know because Jackson is sporting different rehearsal clothes. The footage was shot so the star could study his work and that of his crew, thus it has the artlessness...

Author: /time Magazine | Title: Michael Jackson's This Is It Review: He's Still a Thriller | 10/28/2009 | See Source »

Ansel Adams was the poet of the gray spectrum, the man who dipped the American sublime into the inkpot of black-and-white photography and by that means made it new again. So persuasive were his methods that because of him we tend to think of the national parks the way we think of the Great Depression, as something we can barely conceive of in color. He almost made us believe that the whole of creation comes in the palette of a cinder block - and to be glad about it. (See 10 things you didn't know about national parks...

Author: /time Magazine | Title: Ansel Adams: The Black-and-White Master, in Color | 10/28/2009 | See Source »

Adams is so identified with black and white that most people would be surprised to learn that he started to shoot in color soon after Kodachrome was invented in the mid-1930s and that by the time of his death in 1984 he had produced nearly 3,500 color images. Though he allowed some of those pictures to be published in his lifetime, he never printed them himself, or at least not for the public. He didn't believe that the color processes of his day could produce results to compare with the rich visual deliberation, the fine-grained luxuriance...

Author: /time Magazine | Title: Ansel Adams: The Black-and-White Master, in Color | 10/28/2009 | See Source »

...what kind of artist was he in color? The same kind as he was in black and white: a man attuned to nuance, rustling surfaces and gentle modulation, even when he was working in the most muscular natural settings. In the same way that he was turned off by harsh contrast in black-and-white pictures, he disliked strident color. What he was after were tones, colors you can't put a name to, indeterminate registers that shift in the retina and brain. Even his sunsets were powder-puff pink. (Read "The Old Master of Majesty Ansel Adams...

Author: /time Magazine | Title: Ansel Adams: The Black-and-White Master, in Color | 10/28/2009 | See Source »

...When he was arrested in Belgrade in July 2008, he was living under an alias as a New Age healer and had grown a thick, long white beard to match his shock of white hair...

Author: /time Magazine | Title: Former Bosnian Serb Leader Radovan Karadzic | 10/27/2009 | See Source »

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