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...trouble too, and everybody has trouble. Just living is a different kind of trouble." Living for Johnny meant dealing with a minority problem of his own: "Being an albino is hard, and when you're younger, it's a lot harder. When they said 'Hey, Whitey,' it was just like calling someone a nigger. They called me anything-fag, queer, freak...

Author: /time Magazine | Title: Music: Chicken-Soup Freak | 2/28/1969 | See Source »

Everybody was well fortified with vintage Mumm's champagne before the bubbly pairs of part-time actors began playing the part of traveling companions in the filming of a series of Braniff Airways commercials. First off, there was baseball's Whitey Ford tweaking the twitching mustache of Salvador Dali. Then came another Odd Couple, Mickey Rooney and Rex Reed. "Let's hurry this show up," cracked the much-married Rooney. "I gotta be in court. I'm gettin' another divorce, ya know." The most memorable set of seatmates, though, was Novelist Mickey Spillane ("I only...

Author: /time Magazine | Title: People: Feb. 14, 1969 | 2/14/1969 | See Source »

...genial put-on with five officers of a Black Power group ricocheting around the stage in an orgy of black humor. It becomes a cold put-down with the arrival at the lectern of Dick Williams as Buck White. Answering questions from the audience that are designed to give Whitey the message about Black Power, he is more of a bore than a bombshell after the antics of the five clowns...

Author: /time Magazine | Title: Television: Jan. 3, 1969 | 1/3/1969 | See Source »

...genial put-on with five officers of a Black Power group ricocheting around the stage in an orgy of black humor. It becomes a cold put-down with the arrival at the lectern of Dick Williams as Buck White. Answering questions from the audience that are designed to give Whitey the message about Black Power, he is more of a bore than a bombshell after the antics of the five clowns. The entire cast has been with the play since the beginning-including a four-month run in Los Angeles' embattled Watts district. Their three years together have paid...

Author: /time Magazine | Title: Television: Dec. 27, 1968 | 12/27/1968 | See Source »

Mclver's intentions unfortunately outrun his wit; the jokes are just not bright enough to shine up the cliches about Whitey's hypocrisies-ecclesiastical and lay. But the players of the Negro Ensemble, under the direction of Michael A. Schultz, endow this "minstrel-morality play" with a lively inventiveness and bounce it was never born with. Arthur French and David Downing are notable as a comic couple of end men in whiteface out to stage a "traditional American lynching" on a long-suffering black man (Julius Harris). There is some show-stopping (if irrelevant) footwork by a trio...

Author: /time Magazine | Title: Off Broadway: Play v. Players | 12/27/1968 | See Source »

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