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...James Street's bestseller, it is the story of Mississippians who refused to secede from the Union, holed up in a valley, and stuck by their guns until the guns were shot out of their hands. Another angle fully as novel to moviegoers is the Handsome Confederate Officer (Whitfield Connor). Not only is he not the soul of gallantry & honuh; he has the soul of a razorback...

Author: /time Magazine | Title: The New Pictures, Aug. 9, 1948 | 8/9/1948 | See Source »

...George whitfield Berkalew...

Author: NO WRITER ATTRIBUTED | Title: The University Counts Its Dead of the Second World War | 4/9/1946 | See Source »

Exhibits A & B in this clinical study of the disintegrative effect of great wealth on weak characters are the family heir, Gary Whitfield (whom his sister commonly addresses as "Stinker"), and his sister, Anne-Charlotte (whom her brother sometimes characterizes as "a nasty little bitch"). There is also Reese, a sharecropper's son who is brought up with Gary and Anne-Charlotte to act as an elevating influence. He succeeds chiefly in being sardonic and truculent. Written on the Wind reports the lifelong intellectual homosexuality between Reese and Gary. It also reports one or two murders, a suicide...

Author: /time Magazine | Title: Books: Of Slime & the River | 2/11/1946 | See Source »

...amateur cast would find its talents inhibited by repeated mechanical difficulties, and a heavy load falls upon the Playhouse's experienced wheelhorses. Burt French, Katherine Whitfield, Carol Wheeler, and John Rand '43 support the double triangle around which the plot moves. Adele Thane as a scatterbrain middle-aged wife is glaringly miscast; she parboils the comic two thirds of her part and convincingly portrays a dramatic third act. Make-up difficulties hamper Robert Bastille'43, for his audience cannot forget that they see a Harvard man disguised as a sexagenarian...

Author: By T. S. R., | Title: PLAYGOER | 10/29/1942 | See Source »

Three young women rescue the evening on Joy Street. Catherine Whitfield, as the chatterboxy but clever Penny, cops the laurels. Her portrayal of an intelligent woman acting dumb is convincing where it could easily be fatiguing. The part of the other woman in her husband's life was assigned to pert and pretty Carol Wheeler, whose relaxed competence belies the alleged nervousness of amateur actresses. Helen Sanderson, as another other woman, trips several times in the first act, but recovers her poise before the damage becomes irreparable. The men are weak spots in the performance, except for John Rand...

Author: NO WRITER ATTRIBUTED | Title: PLAYGOER | 10/19/1942 | See Source »

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