Word: whiting
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Dates: during 1990-1999
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Bradley's condition is common--President Bush dealt with it while in office--and in itself does not spell the end of his quest for the White House. But if last week is an indication, Bradley's campaign isn't as healthy...
...ugly realities of racial politics are flaring up all over again. Rubin Carter, played by Denzel Washington, is a poor black boy made good as a professional boxer, "Hurricane" Carter. As a street urchin growing up in racist New Jersey, he defends a friend against a white pedophile and is unjustly sent to a correction home by a sinister police officer, Depalowski (Dan Hedaya). Escaping from the home, he makes it good as an army officer until Depalowski, hell-bent on persecuting Carter, sends him back to prison. Upon release, he becomes a famous boxer but is framed by Depalowski...
...Throughout her career, Gordimer has been a paragon of authorly virtue: a white writer in apartheid South Africa, she stood staunchly with what she always calls the "liberation movement." Her fiction exposes the bleeding heart of South African society, and her eye is precise and unflinching. This is not to say that her fiction is nakedly ideological: rather, it speaks complex truths about human relationships and social realities. It shocks the reader with its honesty...
...Chiles' death provides the needed pause to prevent the plot and historical subtext from spinning out of control. Lee, who has forgotten about Holt's unique story until now, quickly exploits the uneasy relationship between Southern white women and black male slaves. He also finally allows Holt to express his desire for freedom. Similarly, a Bushwacker sympathizer reveals why he believes the North will win, "They fight because they believe everyone should have liberty and freedom. We fight because we care about ourselves." Lee deserves credit for addressing this astute evaluation of the Civil...
...movie not only plays wonderfully, it looked gorgeous. From the stark isolation of the mountainous orphanage and the gray and white sterility of its interior to the rolling shores of the coast and the vast stretches of the apple farms, the movie is set against a stunning landscape. Director Lasse Hallstrom (What's Eating Gilbert Grape?, Something to Talk About, Abba: The Movie) strikes a balance between the dourness of the orphanage with the optimism of the coast, while not letting the movie get too caught up in either locale...