Word: whitmans
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Dates: during 1960-1969
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Plot ain't much. By James Edward Grant (The Alamo) and Clair Huffaker, out of a novel by Paul I. Wellman, the script describes how John Wayne and Stuart Whitman make buzzard meat out of, oh, about 700 greasy renegades-yellow-bellied skunks running guns to the Comanches. (Actually, Big John does the job by himself. Stu is like the human figure beside the geography-book whale; he just sort of stands there to show how big Big John really is.) But in this western the bald theme matters less than the hairy variations. Item: the big bold badman...
...judges, Professors Rosenberg and Woodworth and Radcliffe's Dean Sherman, awarded second place to Eliot Hall for its song about the dorm being swallowed up by the new House System. The girls of Whitman, singing of the anguish of paper writing, won third prize...
From early indications, personnel is extremely promising. The men to watch, if one must pick and choose at this early date, are van-Schalkwyk, Buzz Miller, Dick Shulman, Dave McGugan, and Charlie Whitman in the scrum, and behind them, backs Dick Baker, Bill Mares, Ian Pasley-Tyler, and Al Rutan...
...Mark. A serious and compassionate examination of an uncomfortably sensational theme: the rehabilitation of a man convicted of molesting a small girl. Actor Stuart Whitman gives a perspicacious performance...
...made The Mark had any sensational intentions, they are not to be seen on the screen. The film's attitude is calm, objective, sympathetic to the criminal-though not to his crime. Actress Schell and Actor Steiger give restrained and intelligent performances; Actor Stuart Whitman, known heretofore as just a passing ripple on Hollywood's Muscle Beach, is perspicaciously cast as the Cain-marked protagonist; and Director Guy (The Angry Silence) Green unerringly walks a tightrope of good taste across the snake...