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Word: whitney (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...affair tomorrow, Commodore Pete Putnam and John Gardiner will be skippering Crimson boats in Millford Harber on Long Island Sound with George Whitney and Henry Horner their crews. No team is a definite favorite...

Author: NO WRITER ATTRIBUTED | Title: Crimson to Sail In 3 Regattas | 10/15/1949 | See Source »

...Comers. Mrs. Whitney, unlike her uptown friends who were concentrating on collecting old masters and French impressionists, decided to do what she could to encourage young hopefuls in the U.S. She opened her studio to her more promising Village neighbors, was soon holding exhibitions and buying the works of such up & comers as George Luks and Everett Shinn...

Author: /time Magazine | Title: Art: Whitney & Force | 10/3/1949 | See Source »

...decided to move to bigger quarters, called on her sister-in-law's secretary, the 37-year-old wife of Dentist Willard Burdette Force, to help her out. From then on, with forceful, explosive Mrs. Force as front man, the Whitney Studio went great guns. By 1928 the Whitney Studio Club, where artists could get together and show their works, had 400 members and 400 more were clamoring to get in. Dozens of artists including Painters John Sloan, Edward Hopper, Reginald Marsh and Sculptor John B. Flannagan, had had their first one-man shows at the Whitney. Works...

Author: /time Magazine | Title: Art: Whitney & Force | 10/3/1949 | See Source »

...Closed Shop. But in 1929, when the team of Whitney & Force tried to close up shop and retire, they found to their chagrin that modern U.S. art was still not well enough established for Manhattan's crusty Metropolitan Museum to accept Mrs. Whitney's collection, even as a gift. Ruffled and angry, they decided to go into the museum business themselves with Mrs. Force as boss...

Author: /time Magazine | Title: Art: Whitney & Force | 10/3/1949 | See Source »

...When the Whitney opened its salmon-pink quarters on West Eighth Street in 1931, Mrs. Force continued to focus her attention on present-day U.S. artists, letting the older established museums fill in the historical background. Mrs. Whitney paid all the bills, left $2,500,000 to keep the museum going after her death in 1942. The Whitney never offered prizes, instead spent from $10,000 to $30,000 a year buying the pictures it liked. Up until her last illness, Juliana Force moved poker-backed and sharp-eyed among American artists, watching for someone who might make another Whitney...

Author: /time Magazine | Title: Art: Whitney & Force | 10/3/1949 | See Source »

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