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...BOTTOM LINE: The suspense is mild, the sexual heat is low, but Whitney Houston's screen debut has its charms...

Author: /time Magazine | Title: A Pop Star Crosses Over | 12/7/1992 | See Source »

...Then in the '80s a few big record companies discovered they could rack up sales by substituting hyperactive beats and overdressed arrangements for soul's honest impact. Subtle vocal stylists gave way to crooners; soul gave way to dance music, marketed mainly to black listeners. Even powerful singers like Whitney Houston were steered into this aesthetic dead...

Author: /time Magazine | Title: Soul with A British Accent | 11/23/1992 | See Source »

...capacity crowd at the Loeb Janus Cinema last night bought their popcorn and Diet Cokes, soundly booed a blurb for Whitney Houston's new movie, and settled in for Spike Lee's new 3-hour-and-21-minute epic...

Author: By Anna D. Wilde, CRIMSON STAFF WRITER | Title: Lee Epic Draws Rave Reviews | 11/19/1992 | See Source »

...WHERE: WHITNEY MUSEUM OF AMERICAN ART, NEW YORK CITY...

Author: /time Magazine | Title: The Purple Haze of Hype | 11/16/1992 | See Source »

...exhibition of the works of the late Jean-Michel Basquiat that opened at Manhattan's Whitney Museum of American Art last month is billed as a retrospective. It does cover the artist's working life: about nine years. But since it aims to present the deceased as the black Chatterton of Postmodernism -- the "marvellous boy," cut off in his prime by a drug overdose at the age of 27 -- it more resembles a parody of a funeral rite, performed over a slender talent encased in a sarcophagus grossly too large for it. There had to be room in that...

Author: /time Magazine | Title: The Purple Haze of Hype | 11/16/1992 | See Source »

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