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Economic Keynesianism, at worst, leaves you with some nice government-built bridges. Symbolic Military Keynesianism leaves you with a vague sense of disappointment and massive hangover of drugs, crime, unemployment, a third-rate video duplicate of Whitney Huston "celebrating America's proudest moment" on HBO and a total absence of concern for the wreckage the military left behind...

Author: NO WRITER ATTRIBUTED | Title: Symbolic Pump-Priming | 1/17/1992 | See Source »

With under three minutes elapsed, Union star forward Craig Ferrero scored in his eighth straight game, tipping a Scott Whitney shot past Hughes and pulling within...

Author: By Ted G. Rose and Jay K. Varma, SPECIAL TO THE CRIMSONS | Title: Icemen Barely Escape From New York, 7-5 | 11/16/1991 | See Source »

...develop technologies that U.S. companies can apply to their work on the HSCT. Rival U.S. aircraft builders Boeing and McDonnell Douglas have teamed up to design an airframe, as have British Aerospace and France's Aerospatiale, the same partnership that built the Concorde. American jet-engine builder Pratt & Whitney is working closely with its nemesis, General Electric, to build a power plant that is quieter, more economical and clean burning. France's Snecma and Britain's Rolls-Royce have launched a similar joint project. Gulfstream, which makes business jets, is working with British and Russian designers to build...

Author: /time Magazine | Title: Aerospace: Supersonic Boom | 9/30/1991 | See Source »

...must have been doing something right; he certainly made enough enemies. If people weren't annoyed by his blacker-than-thou dissing of Murphy, Whoopi Goldberg and Whitney Houston, they were vexed by Lee's movies. A few reviewers knocked his first feature, She's Gotta Have It, for the vapidity and cupidity of the female lead. "I wanted to tell the story of a black woman who was living her life as a man," Lee says, "except that she was honest about...

Author: /time Magazine | Title: Boyz Of New Black City | 6/17/1991 | See Source »

...Salle became about as successful as a young artist could get, analyzed at length in the art magazines, pursued by bleating flocks of new collectors: "Innaresting, innaresting, Marcia." In 1987, when he was only 34, the Whitney Museum gave him a full-dress retrospective, a striking example of that institution's passive-masochistic relation to the art market...

Author: /time Magazine | Title: Art: Exhibit B in The Dud Museum | 4/29/1991 | See Source »

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