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With the score tied 1-1 in the top of the ninth, Dorwart easily retired the first two batters, but yielded a triple to left-fielder Bill Medea. The Eagles then brought in pinch-hitter Mike Whitney and Coach Loyal Park decided to walk Whitney to get to second-string catcher Rich McGlauglin...

Author: NO WRITER ATTRIBUTED | Title: Two Runs In Ninth Inning Save Victory Over Eagles | 4/16/1969 | See Source »

...Thomson Johan Hellebust Myron B. Fiering Charles F. Cleland Wassily Leontief Steve J. Poulos Ronald W. P. King J. R. Mcintosh Basur Rama Rao Lloyd A. Spielman Peter Hepler A. K. Solomon Henry Ehrenreich R. P. Levine Eric Carlson Alexander Dalgarno David R. Walters Carter Wilson Charles A. Whitney Richard McCray William Alfred Charles W. Burnham Charles G. Gross Gerald M. Platt Howard B. Emmons D. A. Harnett Irving J. Rein Peter S. McKinney Carp; S. Deppe Michael Fried John W. Hutchinson Patrica L. Foster Charles S. Maier Thomas D. Wegmann Francisco Varela D. W. Del Tredici Joseph P. Manson...

Author: NO WRITER ATTRIBUTED | Title: RATIONALITY AND COMPASSION | 4/15/1969 | See Source »

...that speed, combustion chambers in the SR-71's two huge Pratt & Whitney J58 engines reach a temperature of 2,800°-hotter than any other operational engine. They gulp special kerosene-based "Lockheed Lighter Fuel, 1-A" at a ravenous rate...

Author: /time Magazine | Title: Aviation: The Secret Ways of A Speedy Blackbird | 4/11/1969 | See Source »

Three of these remarkable beasts stood last week, grazing or reflectively chewing their cud, in a rectangular pasture that was actually a blue-lit room in Manhattan's Whitney Museum. The dim light evoked the ambience of a silent desert night, but what chiefly provided the mood-a wonderfully eerie mood of austere melancholy-was the shambling, work-scarred beasts. Their hair was realistically matted, their baleful glass eyes shaded by the camel's peculiar glamour-girl eyelashes. One even wore a camel's remote, superior smile...

Author: /time Magazine | Title: Sculpture: The Camel as Art | 4/4/1969 | See Source »

More than a few museumgoers suspected that Nancy Graves' camels were part of an ingenious put-on, particularly since the Whitney was handing out extraordinarily pretentious brochures in which Miss Graves was quoted as proclaiming that "these camels do not find their organization in the real world but are the result of my experience. I cannot imagine or perceive a camel until it is completed." It sounded rather as though she were kidding the highbrows who insist that great art must be abstract. Since the abstract artist-by definition-depicts shapes for which no exact models exist...

Author: /time Magazine | Title: Sculpture: The Camel as Art | 4/4/1969 | See Source »

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