Word: whitneys
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...temple of the "interesting," the crammed pantheon of the briefly new, is the Biennial Exhibition at the Whitney Museum of American Art in New York City, the 1985 version of which closed on Sunday. The importance of the biennial lies in the absence of other exhibitions that do the same job. It is a salon, though a very biased one (it scants realist painting, for instance, in favor of more nominally "advanced" styles), and as such it is the one regular national survey of American art held by a major U.S. museum. It pretends to be plain reportage...
...nets patched directly into Manhattan's East Village, that journalists' playpen of urban gentrification, which in the '80s is replacing SoHo as the city's art-based boomtown, its Montmartre of the Neo. There is a small deposit of serious East Village art, but none was represented at the Whitney...
...Wilson was staging The Life and Times of Sigmund Freud. Minimalist Sculptor Richard Serra (see ART), an acquaintance from Paris, was preparing a one-man exhibition in New York. Reich had already formed an ensemble, and he and Glass sometimes joined forces. A pair of 1969 concerts at the Whitney Museum of American Art attracted public and critical attention to the burgeoning phenomenon of minimalism. The beginnings of success, however, proved too much for the friendship, and the Philip Glass Ensemble split off and went its own way. Today the former friends are distant, even hostile...
DIED. Charles Shipman Payson, 86, sportsman, philanthropist and industrialist (steel, uranium, oil and railroads), and with his late first wife, Heiress Joan Whitney Payson, long a mainstay of the social columns; in Lexington, Ky. Born in Maine, Payson donated more than $23 million to the Portland Museum of Art and was also a major backer of the America's Cup yachts. After his second marriage in 1977 to Virginia Kraft, then a SPORTS ILLUSTRATED editor, they established their own breeding farm, racing stable and training center...
...amount of wishing could prevent her from becoming the most publicized child of the '30s. Appalled by whispers of Gloria Sr.'s loose life of pornographic orgies and sapphic lovers, Little Gloria's paternal aunt, Gertrude Vanderbilt Whitney, sued for custody of the child in 1934 and won. In the best account of this celebrated trial, Little Gloria, Happy at Last (1980), Journalist Barbara Goldsmith argued that a greater anguish lay below the ten-year-old's fear of being torn from her home in some Solomonic decision. "I was afraid she would take me away," Gloria had testified...