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...Rule, 75, civilian chief of procurement for the Navy who was a relentless, irreverent Government cost cutter; of cancer; in Arlington, Va. Often battling with military, congressional and corporate brass, he saved uncounted taxpayer dollars from 1963 to 1976, most notably when he carved $100 million from Pratt & Whitney's bill for F-111 jet engines...

Author: /time Magazine | Title: Milestones: Aug. 23, 1982 | 8/23/1982 | See Source »

Graves has since won other important commissions, notably a 27-story corporate headquarters in downtown Louisville, Ky., for Humana Inc., and an addition to the Whitney Museum of American Art in New York City, designed by Bauhaus Architect Marcel Breuer. Yet it remains to be seen whether Graves' heavy-handed Pop surrealism-"a dash of deco and a whiff of Ledoux," as leading Postmodernist Architect Robert Venturi calls it-will influence workaday architecture. New inspirations are needed, but they should be inspirations that are real, joyful and charming...

Author: /time Magazine | Title: Design: A Pied Piper of Hobbit Land | 8/23/1982 | See Source »

...Whitney, confused reflections on the body aesthetic...

Author: /time Magazine | Title: Art: Lost Among the Figures | 5/31/1982 | See Source »

...Focus on the Figure," a show of some 50 paintings that opened last month at the Whitney Museum in New York, is to put in perspective the developments in American figurative art over the past two decades. It begins with Pop art, with its images of commercial representation; it takes in artists like Alex Katz and Larry Rivers, makes a bow to de Kooning's women, and then sets up some large-scale American realist art from the '70s, contrasted with the perverse and gritty fantasies of Chicago School artists like Jim Nutt and Ed Paschke. From there...

Author: /time Magazine | Title: Art: Lost Among the Figures | 5/31/1982 | See Source »

...course, video has no monopoly on that; most art of any kind, in this overloaded art world, is clumsy, narcissistic and obscure. Still, even video does not have to be, and some of it is not. An indication of this may now be seen at the Whitney Museum in Manhattan through June 27. The Whitney has long been conscientious about video art, showing it in regular programs through the 1970s when other museums would hardly condescend to touch it. Now the Whitney becomes the first American museum to give a retrospective show to a video artist. He is Nam June...

Author: /time Magazine | Title: Art: Electronic Finger Painting | 5/17/1982 | See Source »

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