Word: whole
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Dates: during 2000-2009
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...fight a war with Russia, but we have to do something. We have to defend ourselves in some other way." The film's executive producer, Mirza Davitaia, who is a parliamentarian and a member of Saakashvili's political party, echoed that idea. "This is our chance to show the whole world what happened here," he says in an interview. "It is based on historical facts." (See TIME's coverage of the Russia-Georgia...
...people of South Ossetia, a separatist region that Russia says it was forced to step in to protect. But the project fell flat. Narrated by Canadian George Watts - a former translator for Russian Prime Minister Vladimir Putin - its arguments seemed heavy-handed even to sympathetic critics, and the whole film has been viewed on YouTube - in either its Russian or its English versions - fewer than 12,000 times...
...They do not disappoint, although the movie, while effective in portraying the complications of any life lived publicly, is on the whole less eloquent than its principals. It is structured on the belief that we need an expository guide to get the complexities of the Tolstoy's life, offered in the form of Valentin Bulgakov (James McAvoy), a nervous, good-hearted young secretary sent to the Tolstoy's country estate to help Leo with his papers. Valentin arrives as a pawn of the Countess' sworn enemy, the exiled Chertkov (Paul Giamatti), who urges him to keep vigilant...
...five sections, Bolaño’s odd-footed parsing of racial and radical politics from New York City has a Kafkaesque absurdity about it (cf. “Amerika”). The world Fate inhabits is awkwardly fleshless, but the details he chooses can illuminate whole parallel universes; “[T]he Mohammedan Brotherhood caught his attention because they were marching under a big poster of Osama bin Laden. They were all black and they were all wearing black leather jackets and black berets and sunglasses, which gave them a vague resemblance to the [Black] Panthers, except...
...this day, mirrors the structure of “The Savage Detectives” in their ephemeral disinterest. Detectives, bodyguards, politicians, and prophets float to the surface and sink back again into an ocean of brutality, where a phantom mental patient desecrates churches and young girls are swallowed whole by unmarked cars in the Mexican night. With its medically precise descriptions of the symptoms and scenery of murder, the Part About the Crimes is a labor of agony and transcendence...