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...original angry young man. That he was also a sensitive soul in a cynic's armor only made him more irresistible. James Joyce and Ernest Hemingway had invented disaffected young men too. But Salinger created Caulfield at the very moment that American teenage culture was being born. A whole generation of rebellious youths discharged themselves into one particular rebellious youth. (Read TIME's 1951 review of The Catcher...
...Salinger's New Yorker stories, "Uncle Wiggly in Connecticut," about a suburban housewife who dissolves into self-pity during an afternoon of drinking with an old school chum. Zanuck had it rewritten as a throbbing melodrama with Susan Hayward that was released under the title My Foolish Heart. The whole thing made Salinger cringe...
...single volume. It stayed at the top of the best-seller list for six months. By that time, the cult status of The Catcher in the Rye was fully established. But in some important corners of American letters, there was a backlash forming. In reviews that were on the whole positive, John Updike still found Salinger sentimental, and Alfred Kazin thought he was getting "cute." For years John Cheever told friends that he thought Salinger wouldn't let Hollywood make a movie version of Catcher because Salinger was too old to play Holden. And in a review that is said...
...We’ve got to play Harvard basketball,” Wright said. “Keep doing what we’ve been doing the whole season–all that starts with defense...
Stand-up comics call it a "tough crowd," but then tough crowds are part of their business. It's a whole other matter to be met with cold stares when you are the President of the United States, talking in prime time before a joint session of Congress, when your party controls both chambers by historic margins. (Read "Obama's State of the Union Address: Five Ways to Judge Its Success...