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...synthesizer’s creeping presence serves as a sort of glue. For what the album attempts to be—a kind of 1970s throwback—it succeeds. But it lacks climax, both in specific songs and in “Travellers” as a whole. The album’s topography is linear, and when coupled with simplistic, often cheesy lyrics, the effort seems formulaic. The Apples take a 1970s formula and repeat it without adding much, and so their end product is polished but hardly original...

Author: By Hana Bajramovic, CRIMSON STAFF WRITER | Title: The Apples in Stereo | 4/20/2010 | See Source »

...character in ‘Sarah Marshall’ wouldn’t have been interesting to see throughout a whole movie,” Hill explained, “He was sort of... one-dimensional. He was more the funny, weird stalker-ish guy. Aaron’s probably the most together character I’ve ever played in a film... I just felt like Matthew the waiter is a weird character, but he’s not someone you might want to sit through a whole film [with], you might...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...Gangs of New York,” brought to a real level of expertise in “Shutter Island.” In these movies Scorcese achieves a conceptual depth that Campanella only aspires to. He does not take all of these influences to create an original, interesting whole. Rather, each influence stands on its own, as a separate component...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret in Their Eyes | 4/20/2010 | See Source »

...poem “Correctives” depicts the narrator’s son who uses his right hand to support his left in an effort to write more neatly. As he describes this boy, Paterson derives a broader conclusion about humanity from the image: “the whole man must be his own brother / for no man is himself alone.” It would be easy to imagine this brief poem as a sort of family maxim delivered from generation to generation...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

...simplicity of “Two Trees” is characteristic of the collection as a whole. Paterson’s straightforward rhythms, earnest tones, and candid narratives are equally approachable to poetry novices and veterans alike. Paterson shows a consistently genuine and honest appreciation of ordinary human life. In the title poem, Paterson writes, “I love all films that start with rain... / However bad or overlong / such a film can do no wrong.” Like the images of rain that Paterson admires, his own brand of poetic sincerity, “however...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Paterson’s ‘Rain’ Pours Poems | 4/20/2010 | See Source »

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