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Never on Sunday (Melinafilm; United Artists) is a rambunctious little politico-philosophical fable about The Virtuous Whore and The Quiet American. Written, produced and directed by Jules (Rififi, He Who Must Die) Dassin for a sum ($125,000) that would scarcely pay the light bill on the average Hollywood feature, Sunday has been playing to packed houses in Paris since last May. The title song of the picture is one of Europe's top tunes these days, and for her work as the leading lady-of-the-evening Greece's Melina (Stella) Mercouri was proclaimed 1960"s best...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 31, 1960 | 10/31/1960 | See Source »

...mirror of English life, Joan Littlewood likes to fill her theater with the smell of cold porridge and soft coal. her stage with people of small means and great imagination. She likes her characters to rub hips with spivs, tarts, pansies and drunks, in whose vernacular a whore is a brass and a pimp is a ponce (one song in Fings Ain't What They Used to Be is called The Student Ponce). But while a Tennessee Williams plumbs similar material to draw interior diagrams of crippled psyches, and a John Osborne casts about in it for new glooms...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

Miss Winters, as has been hinted, handles the part of a cheerful unwed mother with both humor and delicacy. The way the part is written, she could come out sounding like a cut-rate whore, and apparently the strain of battling the built-in deficiencies of the role made her decide to quit. Eileen Heckart, as an often Auntie Mame-like Deedee Grogan, handles wise-cracks, insults, and pathos equally well, and looks appropriately garish in Miss Ballard's costumes. Madeleine Sherwood is hateful enough as Norma's mother, and Richard Derr, as the father of many, is grey flannel...

Author: By Michael S. Lottman, | Title: Invitation to a March | 10/18/1960 | See Source »

...Black Whore!" Upon the success of her book Carolina moved out of the favela. Ordering a truck, she loaded up her children, table, two cots, mattresses, bookshelf and six cooking pots. Neighbors surrounded the truck. A man yelled, "You think you are high-class now, you black whore! You write about us and make lots of money, and then leave without sharing it." A drunken woman hurled a rock that gashed one of Carolina's two sons. Rocks struck Daughter Vera Eunice. As curses and the hail of stones grew, Carolina pounded on the hood, leaped aboard...

Author: /time Magazine | Title: BRAZIL: Life in the Garbage Room | 9/26/1960 | See Source »

...Gestapo. The Mashinka is quarantined; a grimly comic campaign is organized to fight the disease. Drohitzers who might have been exposed are rounded up and lodged in the Silver Hall, the mirror-lined banquet room of the Mashinka's most fashionable bordello. Confinement quickly erases the difference between whore and housewife, who come to share each other's concerns: a prim matron tries a striptease, the prostitutes study cake recipes. Eventually quarantine proves ineffective. The infection rages through Drohitz and the surrounding countryside and Ember, promoted from subaltern to Commissioner of Deceased Persons, runs out both coffins...

Author: /time Magazine | Title: Books: Fading Embers | 9/5/1960 | See Source »

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