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Word: whores (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...there a woman who can?" Now mind you, Norman Mailer once admitted quite frankly that he had never read Virginia Woolf. Not only that, he would presumably prefer Jayne to Katherine Mansfield ("I doubt if there will be a really exciting woman writer," he once said, "until the first whore becomes a call girl and tells her tale"), and he has probably never even heard of Kate Chopin. Considering his utter lack of knowledge about women writers, his declaration about Lawrence is more than arrogant; it is nonsense...

Author: By Elizabeth R. Fishel, | Title: The Prisoner of Sexism Jail and Roses | 3/18/1971 | See Source »

...that chance. Whatever influences ran through Jones' mind, the hard-driving male delighting in war and sport became more obviously and simplistically the author's romantic hero. Compassion gave way to cynicism; where it survived it was mawkish and self-conscious. (Minelli was kinder to the small-town whore and gambler in Some Came Running than Jones was in his book, though both were negligible works...

Author: By Michael Sracow, | Title: Books The Merry Month of May | 3/16/1971 | See Source »

...levels-the one which the actors understand, the one the audience understands, and the one that only Pinter himself understands. When Max, the aged, mad and offensive old man in The Homecoming, berates his oldest son for bringing his wife into the house, saying, "I've never had a whore under this roof before, ever since your mother died," only Pinter knows how right...

Author: By Michael Ryan, | Title: The Theatregoer The Homecoming | 3/6/1971 | See Source »

Ruth is a whore, although the audience doesn't know it yet. The true import of Pinter's words, like the pronouncements of Cassandra, are never quite clear until the scene has been fully played out. The joke is on the actors, but also on the audience, for the broad one-liners always turn out to have a deeper meaning. This is the essence of Pinter: the audience snickers and chuckles its way through the play, only to realize at the end, that it was not funny...

Author: By Michael Ryan, | Title: The Theatregoer The Homecoming | 3/6/1971 | See Source »

...treatment is far better than another commercial exploitation of the revolution. The subject, though, is too vague and ill-defined to be reduced to the microcosm of three lives. In his rambling, understated style, Cassavetes does stumble on moments of revelation-Archie not knowing what to say to his whore, Harry drinking tea in his London illusion, Gus coming home to his crying daughter. But he tries to make a great work out of understatement and understatement resists greatness...

Author: By H. MICHAEL Levenson, | Title: Films Husbands at the Abbey | 2/23/1971 | See Source »

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