Word: whores
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Dates: during 1980-1989
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Stoppard has written a play as new as nouvelle cuisine (which, incidentally, it dismisses as passe) and as defiantly déjà vu as Private Lives, Miss Julie and 'Tis Pity She's a Whore (allusions to which snake deviously through the plot). On its dazzling surface, The Real Thing is a throwback to the comedies of Oscar Wilde, Noël Coward and Philip Barry. This is love among the leisure classes, in which aristocrats of style spend their time polishing epigrams and tiptoeing into one another's penthouse souls. Stoppard's characters have...
...auditions, he just looks at her until she blushes. He tells her to make her own decisions, to leave Snider--but in his eyes there is a feverish, ashamed glint that hides the familiar fantasies: Nicholas's difference is that he sees her as a Madonna instead of a whore. When she's with Aram she dresses better and drives a nicer car--but she's still an image that is only shattered when Snider destroys them both in a horribly protracted fit of self-annihilation...
...stereo type of the nude. Manet invariably painted women as equal beings, not as denatured objects of allure. Victorine, the model, is clearly a model doing a professional stint; the illusions of the salon body, timelessness and glamour, are no longer properties of nakedness. Other artists painted nymphs as whores; it took Manet, in the Olympia, to paint a whore as her own person, staring back at the voyeurs, restricting the offer to a transaction. Here, as in paintings of women who were not models (like Berthe Morisot, whose shadowed and inward-turning beau ty Manet could portray...
...into the darkest prison.' So I stayed. When my breasts started growing at 13, she beat me across the chest until I fainted. Then she'd hug me and ask forgiveness. When I turned 16, a day didn't pass without my mother calling me a whore, and saying that I'd end up in Potter's Field, dead, forgotten and damned for all eternity. Most kids have nightmares about being taken away from their parents. I would sit on our front stoop, crooning softly of going far, far away to find another mother. "What...
...David Schramm), the boss of Steeltown, U.S.A., is a cigar-chomping tyrant, and his gutsy prole of a foe, Larry Foreman (Randle Mell), is a knight in blue-collar armor. We meet Mister's toadies: mousy Reverend Salvation, sycophantic College President Prexy and craven Editor Daily. As a whore with a heart of tarnished nickel, Lisa Banes is achingly vulnerable, and Michele-Denise Woods keens a militant lament for her injured brother in Joe Worker Gets Gypped...