Word: whoring
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Dates: during 1980-1989
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Only a troupe of mature actors could succeed in arousing and then sustaining the audience's attention for the 10 scenes and this group does so by making each scene equally as powerful as the others. Each actor develops his own persona, which Schnitzler has broadly classified as whore (Carolone Isenberg), soldier (Tim Banker), parlour maid (Holley Stewart), young gentleman (Benjamin Cobb), young wife (Anne Higgins), husband (Jonathan Magaril), sweet young thing (Debbie Wasser), poet (Alek Keshishian), actress (Amy Brenneman), actress (Amy Brenneman), and Count (Paul O'Brien...
...infancy she is left alone to play in the dirt outdoors. In childhood she becomes the butt of her Christian schoolmates. As the Nazis approach, Tzili is abandoned by her parents. She seeks shelter among the peasants in the district, claiming to be the daughter of the local Gentile whore. But if she is spared deportation as a Jew, she is execrated as one of the devil's brood. "The peasants drove her mercilessly. She cleaned the cow shed ... brought firewood from the forest. At night the peasant's wife would mutter: 'You know who your mother...
...tragedy and disappointment. At the end of the story, Reva meditates by the lock house in which she and Clinton made love: "Upstream, a deer's hoof sucked in the soft mud, but Reva kept watching the swimming moon-the same moon she knew Clinton watched with his cincinnate whore. "She realizes the hopelessness of her desires, and sets fire to the lockhouse in an act of despair and rejection...
...Hanni, my love-you whore, you dirty bitch, you devil, you trashy wench, you poor darling sweet saintly Hanni!" Xaverl Bolwieser (Kurt Raab), a Bavarian stationmaster, has every reason to curse and care for his wife Hanni (Elisabeth Trissenaar). She sets his nights ablaze with her Lorelei beauty and passion, but she doesn't really love him. She loves making love, and so she exercises her power in one of the few ways open to a woman in 1920s Germany: by becoming an entrepreneur of lust. Promiscuous as a prancing stud, possessive as any hausfrau, Hanni drives "Fatty" Bolwieser...
Combining a lacerating ferocity with a sometimes silly sententiousness, the play unfolds in a couple of dozen revue-style blackouts without intermission. A stranger in a bar steers Edmond to a nightspot with B-girls, but Edmond quibbles over the whore's price and departs in a rage. In swift succession, he is conned and savagely beaten up in a game of three-card monte, and thrown out of a fleabag hotel by a seedy clerk. He pawns his gold ring and buys a "survival knife." When a black pimp tries to mug him, Edmond rewards his assailant with...