Word: whorishness
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...into the winner's circle. Murphy comes through as O'Genick, but better direction would have tightened his wavering Steve Martin-Goes-to-Southie character. Fitch's job on Ella Mental, the nonagenarian nympho, is outstanding. Jim O'Brien, who plays the second female lead as Melissa Forethought, a whorish double agent who gets it from both sides, turns in an admirable performance, especially on the raunchy number, "Coo and Bill Me Later." O'Brien's act is marred only by the fact that he walks around with his mouth wide open too much...
...MARQUIS DE SADE should be alive today. DePalma and DeSade would make a brilliant director-screenwriter team. In Brian DePalma's latest thriller, The Fury, Fiona Lewis plays a high-class, whorish British bitch-doctor whose titillating, condescending blue eyes make you want to punch her in the nose. Hitchcock would have let Cary Grant do just that--assuming that we in the audience are all voyeurs--and in his later days would have sent her to his legendary shower. DePalma, characteristically, goes further. In one of many representative sequences in The Fury, Robin (Andrew Stevens), Lewis's jealous lover...
...would be safe to say that a strong anal-complex is evident here. Agains and again Joyce talks of his wife's underwear, urging her at one point to buy some "whorish drawers...and also discolor them just a little behind." His obvious pleasure with his wife's propensity for gushing flatus in the act of union is not altogether new to Joyce's readers. Bloom saw the "mellow yellow smellow mellons" of Molly's rump as a kind of ultimate healer of all his tensions, of his conflicting sense of envy, jealousy, abnegation, and equanimity, because they were "insusceptible...
...this first production is disappointing. With the boxing set and an emphasis on caricature, company director Van McLeod seems to be trying unnecessarily for the oblique angle in an already oblique Brecht play. A few of the supporting characters present fascinating facades, especially Virginia O. Casey as the whorish girl friend of George Garga the librarian (and "wrestler") and Bruce Patt as a stoop-kneed, brutish Weimar version of Skinny, a Chinese clerk according to the text--but they get little assistance even from the more experienced members of the cast...
...first movie, Rock, Rock, Rock, a cheapie made in Brooklyn to cash in on the rock-'n'-roll craze of the '50s. Whatever its demerits, the film projected Tuesday as the archetypal nymphet, Shirley Temple with a leer. "The girl I generally played was a little whorish teen-ager who would sleep with anybody, and yet has a childlike quality," says Tuesday...