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Word: whose (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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With the Bremen sliding eastward intent on breaking her own record, rival steamship lines talked speed, planned competition. The White Star Line announced revised plans for the 60,000 ton Oceanic, whose keel, half laid, lies rusting in a Belfast yard. The U. S. Lines, freed somewhat of the shackles of Prohibition, planned two super-Leviathans to steam 32 knots (38 m.p.h.). Similar detailed announcements came from the Cunard and Italian lines...

Author: /time Magazine | Title: GERMANY: Bremenfieber | 8/5/1929 | See Source »

...meeting in Los Angeles Labor Temple, was lissom, exotic cinemactress Jetta Goudal, whose vivid partisanship has won her the name, "Equity's Joan of Arc." Quivering, she shouted: "As for quitters, as for scabs, I say, God damn their souls...

Author: /time Magazine | Title: Equity v. Hollywood | 8/5/1929 | See Source »

Like most painters, Painter Chandor prefers men to women as subjects. "It's an awful strain to paint women. They must constantly be amused," he says. For women who interest him as subjects he designs clothes. Women with whose ideas about posing themselves he takes issue, should feel flattered rather than other- wise. They are "worth bothering about." Of necessity an ethnologist and character-reader of sorts, he says dark-haired people have more depth of character than light-haired and make better subjects psychologically as well as pictorially. Beauty attracts him less than "interesting" faces. Says...

Author: /time Magazine | Title: Art: Painter Chandor | 8/5/1929 | See Source »

...Chandor work, Sir Joseph Duveen has written: "What his portraits reveal is the impression of personal dignity coupled always with charm. The material likeness is there, presented by a sound craftsman; but above all, there is the caste and character discerned by the artist whose eyes are always open to the poetic and imaginative values of his subject...

Author: /time Magazine | Title: Art: Painter Chandor | 8/5/1929 | See Source »

Neither the nose nor the keenness escaped Sculptor Jean Antoine Houdon (1740-1828), whose proud, grim marble bust is generally conceded to be the best, most expressive Washington likeness. U. S. patriots and artists were glad last week to hear that it had been purchased for a U.S. client by Manhattan Dealer Jonce I. McGurk, that it would soon be shipped to the U. S. Rumored buyers: John Davison Rockefeller Jr.; Percy Avery Rockefeller. Rumored price...

Author: /time Magazine | Title: Art: Houdon's Washington | 8/5/1929 | See Source »

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