Word: whose
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Dates: during 1960-1969
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...least in the short range; there simply is no such thing, given the high costs of land, labor, materials and mortgage financing. What we can prouce is housing for for low and moderate income families. The only way we have to do that, at present, is to build housing whose cost to those who live in it can be reduced with public money to a level consistent with their ability to pay. That solution, obviously, cannot be implemented by any city alone. Public money in adequate amounts to reduce the cost of land and operating expenses simply...
...Carmines has provided modern but quite tonal music of light weight. "Sigh no more, ladies," sung by Balthasar (Frederick Rivera) to the on stage accompaniment of a genuine seven-course lute, is supported in the background by a group of men singing in harmony, whose major-minor shifts are charming. The solemn song near the end, "Pardon, goddess of the night," has been turned into a men's trio, with off-stage instrumental accompaniment...
...characters expressed whatever the film's makers wanted to say. The physical and spiritual effect of events on the characters was the means of describing their physical and social environments. (An example of a different sort of drama is seen in Eisenstein. He composed masses of people in images whose dynamics directly express his intended meaning without the mediation--reactions--of individual figures...
Godard further made the subject of each film work as its method. Thus Pierrot le Fou is a romance (subject) realized in flowing colors, soaring music, and a hero whose journey through this setting is the motive and organizing force of the drama (method). Individual alienation becomes the method of Breathless through a hero who conducts a very detached investigation of his surroundings. Weekend's subject is general alienation in a capitalist society, and its method is to follow characters through a bourgeois countryside. But these characters, being alienated themselves, have no serious moral responses to the terrible events they...
...married couple, establishes their social and moral passivity. As the woman tells her husband about a sex orgy (also involving money and cars) in which she recently took part, the camera tracks very slowly from one to the other. They sit, scarcely moving, in silhouette--two-dimensional figures whose only reaction to the story (husband's) is to say, "get me excited...