Word: whose
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Dates: during 1960-1969
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...Behavior section this week, TIME examines one body of dissidents whose voice, while comparatively muted until now, promises to grow much louder in the months to come: the militant new feminists of the Women's Liberation movement, who regard themselves as one of the most discriminated-against groups in American life today. The story was written by Ruth Brine, who was valedictorian of her class at West High School in Waterloo. Iowa, a Phi Beta Kappa and editor of the literary magazine at Vassar, and took a master's degree in journalism from Columbia. "Then, as any feminist...
Perhaps Agnew's most telling charge was that the TV "elite" consists of only seemingly well-informed, possibly unqualified people whose backgrounds and credentials are virtually unknown and who think alike: "To a man, these commentators and producers live and work in the geographical and intellectual confines of Washington, D.C., or New York City. Both communities bask in their own provincialism, their own parochialism. These men read the same newspapers, draw their political and social views from the same sources. Worse, they talk constantly to one another...
There are many power centers in a free society-foundations, corporations, the print press-whose top executives are not "elected" and have no political constituency. Many people are legitimately concerned about the responsibility and power such men wield. One answer is that they represent an important counterweight to the sometimes excessive power of Government; another is that their influence is limited by competition and diversity. In TV, greater diversity is undoubtedly possible through proper financial support of the fourth, public network and a larger number of local stations...
...bannered GIVE THE QUARTERBACK A CHANCE, claiming South Viet Nam is the gridiron, Richard Nixon the quarterback, and "only one man can call signals." In Santa Cruz, Calif., Mayor Richard Werner, a 74-year-old veteran of two World Wars, ripped a Viet Cong flag off a residence whose owner made a citizen's arrest of the mayor for malicious mischief. Werner, feeling that his act was entirely justified, pleaded not guilty...
WHAT SUSTAINS the sequence and the film, unifying them and making them continuous, is a sense of violent personal action. Even the most confusing tracks are extremely dynamic, Renoir's cutting presents a rapid series of events whose emotional strength and content vary widely. Renoir cuts into close-up, shoving the character's half-dark faces into ours; he cuts away to hold them in long shot for extended scenes. But always his characters are acting, pushing, crying out, confused but vital...