Word: whose
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Dates: during 1960-1969
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...clash between those two viewpoints kindled tensions again last week in Pittsburgh, where 3,000 demonstrators paraded through downtown streets to demand more construction jobs for Negroes. "Freedom! Freedom!" chanted the marchers, as they raised clenched fists, waved black flags and circled building projects manned by unions whose memberships are almost exclusively white. More than 1,000 white demonstrators-clergymen, suburban housewives, students and even a few businessmen-marched along with ghetto militants...
...sympathy is understandable. Cassidy and the Kid were two gen-u-wine outlaws whose future narrowed along with the Frontier. By 1900, the West was getting settled, the banks and trains were well guarded, and there was no place to go but down-to South America. In the newly rich country of Bolivia, they attempted to recapture the past by becoming badmen again...
...their appropriately gory end, undone by two new enemies, the federates and the 20th century. As Butch and the Kid, respectively, Paul Newman and Robert Redford are afflicted with cinematic schizophrenia. One moment they are sinewy, battered remnants of a discarded tradition. The next they are low comedians whose chaffing relationship -and dialogue-could have been lifted from a Batman and Robin episode...
Muggeridge's conversion grew from religious impulses implanted in him by his father, whose religion, as it happened, was socialism-the new faith at the turn of this century of the English Disestablishment. "A sort of agnosticism sweetened by hymns," as Muggeridge puts it, adding that there is more "Methodism than Marxism" in the British Labor Party. This chapel heritage enables him to update Calvin, Knox, Cotton Mather, Praise-God Barebone, and all scourgers of the flesh since St. Paul. Anglican bishops, priests and politicians of every stripe feel his lash, as well as all persons seeking happiness...
Mopping up after the invaders of animal privacy have come the generalists. They include Playwright Robert Ardrey, whose The Territorial Imperative was rashly naive, and Zoologist Desmond Morris, whose The Naked Ape was at least brashly amusing. Now publishers are packaging curiosities and precursors. Despite considerable charm and insight, The Soul of the Ape is one such...