Word: whose
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Dates: during 1960-1969
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...there is an ethos about dropping out that lendsaura to the words, a spirit whose influence is as strong and accessible to us all as the spirit of social activism. Depending on his sentiments and nature, an individual may allow either spirit to affect him, parts of both, or neither at all. But it a person does nothing, his bonds with either spirit can never be more intellectual: the important ingredient is action. The ?hos of dropping out informs and guides us only as we act. It is certainly guiding us now as we drop out of school...
Defensively against Brandels, the Lord Jeffs alternated a half-count press and a ?? zone. The Crimson's guards. Matt Bozek and Dale Dover whose fine hall-handling against an occasional B.U. press enabled Harvard to score frequent lay-ups, will need to repeat Thursday's performance for a win over Amberst tonight...
...POSITION of Dean of the Faculty carries with it an awesome variety of duties; the Dean must supervise the operations of a body whose expenditures currently run to nearly $70 million a year. Allocating these funds, charting the growth of the Faculty, raising funds to further that growth, recruiting able personnel, serving as a link between some 700 Faculty members and the Governing Boards: all these tasks and more, both public and private, fall to the Dean...
...Washington. The fast can hardly match the November 15 march in dramatic impact, but for individual participants, this demonstration could be just as important. Hundreds of people who have never fasted before will experience a hint of the hunger which is a fact of life for South Vietnamese peasants whose fields have been destroyed by American bombs and defoliating agents. It is just possible that bringing the war home in even this small way may generate new commitment to peace in some individuals...
...RARELY sees completely integrated films, works whose every element contributes to a single expression. Few directors reach the maturity and control necessary to such a work. Sorrows of Satan (1927) finds Griffith once more transcending himself, leaving behind the formal means by which he ordered his earlier dramas for a simpler, more direct style. Sorrows is so unified that its mood and meaning can be assigned to no single aspect of that style...