Word: whose
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Dates: during 1970-1979
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Seven days before Boussac declared personal bankruptcy, Murty made a deal to buy 56 of his horses. The price: $840,000, a bargain-basement figure for Thoroughbreds whose breeding potential alone is worth millions of dollars. Two days after his purchase Murty was approached by a French bloodstock agent, Victor Thomas, who often acts for the Aga Khan. Perhaps hoping he could strike a deal with the prince, Thomas asked the American if he would resell the horses for a commission. Murty says that when he refused, Thomas threatened to have the sale killed, he pointed out that...
...managers commonly charge that middle-level White House staffers responsible for business relations do sloppy, second-rate work. Big Business's formal contact at the White House is Stephen Selig, 36, whose main credentials seem to be that he plays tennis with Presidential Adviser Jordan and that his father, a wealthy Atlanta real estate developer, was a longtime supporter of Carter's. Corporate leaders have had a hard time taking him seriously since his first meeting with them, when Selig turned up at an exclusive Washington club wearing a leisure suit...
...critical acclaim and a generous measure of audience acceptance have been about the dying, the grotesque, the brutalized and the desolate. The Elephant Man, winner of this year's New York Drama Critics Circle Award, features a freak who is mon strous, if also in eloquent human pain. Whose Life Is It Anyway? mounts a torch of a brain on the calcified column of a car-wrecked body. In these and other plays of the same tenor, there is much brightly sar donic humor. But what sort of society is it that derives comfort from putting rouge...
Indeed, if translating Joyce to film appears, on the face of it, an impossible (and perhaps unnecessary) dream, it also seems that Strick, whose camera technique may be charitably described as primitive, is the wrong man to attempt the task. More than a decade ago, he gave us a Ulysses that suffered from the same dull defects. But there are, at least some inherently cinematic aspects to that novel, and the director's defects did not appear quite so plainly. In Portrait it becomes clear that Strick cannot even handle straightforward dramatic scenes energetically and forcefully...
Against these detailed backgrounds, the characters are mere outlines. Walter Blackett, head of Blackett and Webb, the firm whose farflung enterprises frame most of the novel's action, is a buccaneer abroad and a fond family man at home. Yet Blackett is such a compleat capitalist that he is willing to trade his daughter like a commodity in order to pump up the profits. His opposite is young Matthew Webb, a bumbling idealist who despises colonialism but offers no better alternative than a vague new brotherhood...