Word: whose
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Dates: during 1970-1979
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Today, coaches call The Crimson telling us whose picture to run and how big to play the story. Athletes come in and demand big, uncritical stories, and they refuse to talk to reporters if their name hasn't been in the paper enough. What happened to competing simply for the joy of it? What happened to Danny Jiggetts...
...seedings prove accurate, Harvard will need strong defensive efforts from Bell, Anna Jones and Julie Starr Sunday afternoon against the explosive Big Red, whose wins include routs of Potsdam (9-1), Oswego (14-0 and 9-0) and Ivy rival Dartmouth (8-1). Cheryl Hines (25-24) and Cindy Warren (23-36) pace the Cornell attack with 49 points apiece...
...recent independent animation in the U.S. has been done by one-time VES 153 teachers and students. George Griffin taught it last year, Mary Beams Phillips the year before. Frank Mouris, who won an Academy Award, Eliot Noyes, famous for his sand film Sandman, and Caroline Leaf, whose experiments have been so numberous and noteworthy the last Center Screen showing will be devoted to her work--all are old friends of Carpenter Center. The movies in the New Personal Animation that are not products of the National Film Board of Canada, the British Film Institute, CalArts, or an Eastern European...
Mime comes to Harvard only about one a year, but it enjoys ever-greater popularity nationally. Although Marcel Marceau may still be the only mime whose name is a household word, his style is no longer the only one visible on the American stage. The Mime, a performing artist on the margins of dramatic theater and abstract dance, can express himself through both forms, creating a wide range of distinct forms...
...fortuitous that one of the animators for Poets on Film was Veronika Soul, whose own film in the show, How the Hell Are You?, gives the audience a chance to take in her fast, ironical style. Her addition to last weekend's program, Tales from the Vienna Woods, based on the letters of Sigmund Freud, was equally eerie and compelling and funny. Her films, like Vera Neubauer's Animation for Live Action, are disturbing collages of live action film, rotoscoping, photography, freehand drawing, and photography of photography, with radical feminism and black humor. Soul's How the Hell...