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Word: whose (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...feel sorry for is the next batter, Bruce Shepherd, the intended victim of this strategy. Actually, you can understand why the Dudley hurler, who wishes to remain anonymous for reasons that will be readily apparent when I continue with this story, preferred to face Shepherd, a cocky Californian whose fielding average is lower than his batting average and whose credibility rises and falls with the price of stock in Del Webb...

Author: By Michael K. Savit, | Title: Dishing It Out | 4/28/1978 | See Source »

LAST WEEK'S Senate ratification of the Panama Canal Treaty marks the welcome completion of an interminably long debate over an issue whose importance has been blown more out of proportion than any in recent memory...

Author: NO WRITER ATTRIBUTED | Title: Panama Treaty | 4/28/1978 | See Source »

Gilda. Done in 1946 by King Vidor, "Gilda" is the best of the "film noir" style that emphasized the dark side of the American character in the climate of national disillusionment following World War II. The film features Glenn Ford, Rita Hayworth and an actor whose name I always forget, who plays a Rio casino owner-cum-international tungsten cartel boss. It revolves around two sinister triangles: one, a quasi-homosexual link between the tungsten boss, the boss's sword-cane, and Glenn Ford (the other, between Rita Hayworth, the tungsten boss (who marries her), and Ford...

Author: NO WRITER ATTRIBUTED | Title: Kubrick Gets His Kicks; Hawks Hyperventilates | 4/27/1978 | See Source »

...Brewers scored a pair of runs in each of the first two innings off Sox starter Mike Torrez, whose record dropped to 2-1. Cooper boomed a solo shot in the first, and Jim Gantner added an RBI single, while Moore launched his two-run job in the second...

Author: NO WRITER ATTRIBUTED | Title: Red Sox Lose, 6-4 | 4/27/1978 | See Source »

Thomas Middleton managed to pack every one of these devices into the main plot of The Changeling, the story of a gentlewoman whose refusal to marry according to her father's wishes plunges her into a tangle of murder and deceit. It's not a deep play, and except for a few climactic moments the poetry isn't particularly inspired. But it is a thrilling blood-and-thunder melodrama. The Leverett House production succeeds when director Wendy Smith and the actors swallow their doubts and accept this fact, playing some of the gruesome scenes in a high-serious stage manner...

Author: By Scott A. Rosenberg, | Title: Blood Without Guts | 4/26/1978 | See Source »

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