Word: whose
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Dates: during 2000-2009
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...reverts the energy of the single track toward a teleology that is itself the album-whole. It’s dense, menacing, and groove-oriented in a way that reminds the listener of the Talking Heads’ “Remain in Light,” an album whose individual tracks tend to be lost, or at least less potent, outside the framework of the album proper. In this way, “Embryonic” could be the paranoiac subconscious of any one of the passengers aboard ship of fools that was “The Soft Bulletin...
...little written material from which to create a feature-length film, Jonze and Eggers’ plot understandably lacks direction at times. In one bizarre subplot, KW takes Max on a short journey to meet two of her friends. These turn out to be a pair of rowdy owls whose screeching cannot be understood by Max or the monsters. Scenes with these two characters seem largely out of place and even confusing when considering the larger narrative...
...after eight years of the Bush administration’s belligerent foreign policy. His many overtures toward peace with the Middle East such as his momentous speech in Cairo and his vision of a non-nuclear world as expressed in Prague are undeniable evidence that Obama is a president whose desires are certainly in line with those of the Nobel Committee...
With the current hold on new programs, the position was no longer “appropriate,” said Michel, whose resignation was announced over the summer...
...beautifully constructed scene, David picks Jenny up from her house, playing his cool confidence off Jack’s bumbling attempts to control a daughter whose intelligence surpasses his own. Jenny joins David and his two elegantly detached peers—Danny (Dominic Cooper) and his glamorous girlfriend, Helen (Rosamund Pike)—for “supper” at one of London’s most posh restaurants. Here, the aforementioned “I Want a Sunday Kind of Love” rushes through the speakers, enveloping Jenny’s breathless contentment. The first three...