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...It’s a new way to think about teaching,” says Tyler A. Brandon ’12, who has adapted the methods of the Press to the PBHA group South Afterschool Boston, whose curriculum she coordinates. Brandon was inspired to do so by the Press’s “new creative solution to get kids reading by drawing and visual arts, drama, photography, music, and dance...
...Shields says. “There’s a constant revision process and you have to find a balance between the set being interesting… and facilitating the action of the play. It can be a challenging process particularly as you work with new directors whose ideas change quite a bit… and as you try to nail down what you’re doing more and more...
...little-known fact that when the Carpenter Center was designed in 1959, the sidewalk that cuts through the building was intended to be the main pedestrian route between Harvard Yard and the rest of campus, whose expansion beyond Prescott Street was planned but never realized. The purpose of this, according to architect Le Corbusier (Charles-Édouard Jeanneret-Gris), was to force students to walk through a space for the arts on a regular basis, and in so doing, to make art literally more central to life at Harvard. Last year, the Task Force on the Arts argued that...
...Witch, whose curse the Baker and his Wife are trying to undo, undergoes a more dramatic physical and emotional transformation. Her role is also perhaps the most vocally taxing, a responsibility which Megan L. Amram ’10 pulls off with ease. Amram is by turns menacing, sympathetic, and hysterical as she belts, croons, and chants her way through the woods...
Among these composers whose work will be featured is co-president Oliver D. Strand ’11. Strand’s piece, entitled “Lineament 1,” is a composition for flute that was created at the request of one of his friends, a student at the New England Conservatory...