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Stoller-Lindsey set her work to three pieces of music by percussionists Tigger Beford and Peter Jones, whose contemporary dance compositions highlight funky, eccentric sounds from prepared piano. “My [choreography] is not that balletic, though a lot of my dancers are ballet-trained,” says Stoller-Lindsey, whose choreographic background is rooted in modern dance. “It’s theatrical, gestural, and athletic...
Given the pure scale and complexity of “Momentum,” it is easy to forget that the show is run entirely by full-time students whose responsibilities match those of any other undergraduate on campus...
Shee tries a hands-free cartwheel, primarily to get his blood flowing again and secondarily to entertain his fellow dancers, whose movements maintain a hint of grace even as they laugh and make fun of their own mistakes...
...music. A Government concentrator and member of the Krokodiloes, he graduated from Harvard at the tender age of 19 and delivered the Harvard Oration during commencement. Soon thereafter he found his way into music production. He’s produced for Beyoncé, Britney Spears, and most recently Cassie, whose single “Me & U”—written and produced by Leslie—reached #1 on Billboard’s Hot R&B/Hip-Hop Songs. Leslie is a master of marketing, harnessing the power of YouTube, Twitter, and MySpace to create an expansive fan base...
...about as dismal as the title would suggest. It features a duet between Johnson and Texas songsmith Sarah Jaffe over a plodding guitar line that sounds as if it’s plucked from an early Robert Johnson recording. Featuring a singing saw—an instrument whose existence is easy to forget, but whose presence is impossible to ignore—the song feels like a slow drive down a pitch-black southern road in the heart of autumn. It’s hauntingly beautiful and the traditional sounds it employs are not often heard in modern music...