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Word: widescreens (lookup in dictionary) (lookup stats)
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...Samuel Bronston. who recently made an appalling spectacle of the life of Christ (King of Kings), has produced the first film version of the legend. Inevitably, the picture is colossal-it runs three hours and 15 minutes (including intermission), cost $6,200,000, employs an extra-wide widescreen, a special color process, 7,000 extras, 10,000 costumes, 35 ships, 50 outsize engines of medieval war, and four of the noblest old castles in Spain: Ampudia, Belmonte, Peñiscola and Torrelobaton. Surprisingly, the picture is good-maybe not as good as Ben-Hur, but anyway better than any spectacle...

Author: /time Magazine | Title: Cinema: A Round Table of One | 12/22/1961 | See Source »

...told her readers what, in 1931, they primly expected to hear: it is the man who plays and the woman who pays. But the passing years have made some changes in the sociology of adultery. In this third film version of the book-Ross Hunter's full-color, widescreen. $2,500,000 overproduction in which the bathrooms look like the lobby of the Beverly Hilton-the fallen woman falls, not into the pit of shame, but into the lap of luxury. She still suffers, but on silk...

Author: /time Magazine | Title: Cinema: Suffering on Silk | 11/3/1961 | See Source »

...achievement of the American musical theater," a successful attempt to create a new theatrical form: a musical play in which the element of dance mattered more perhaps than either the music or the play-a choreoperetta. Now, with the help of full color, stereophonic sound, and a wider-than-widescreen process called Panavision 70, the play has been transformed into a supercolossal $5,000,000 cinemusical. Unhappily, the film shares a serious flaw in the essential conception of the show; both are founded on a phony literary analogy and on some potentially vicious pseudo-sociology...

Author: /time Magazine | Title: Cinema: Sweetness & Blight | 10/20/1961 | See Source »

...about the raciest filly to come down the Hollywood sound track since Liz Taylor. Her new pictures, both slated for mid-October release, are Splendor in the Grass, a bitter harvest of frustration and failure written by William Inge and directed by Elia Kazan, and West Side Story, the widescreen, cinema version of the Broadway musical tragedy, in which Natalie enacts the poignant role of Maria with a carefully coached Puerto Rican accent and dubbed-in songs...

Author: /time Magazine | Title: Hollywood: Up from Happyland | 9/22/1961 | See Source »

Spartacus (Bryna Productions; Universal-International) is a new kind of Hollywood movie: a superspectacle with spiritual vitality and moral force. Quality, of course, is not permitted to inhibit quantity. Shot in a widescreen, full-color process known as Super-Technirama 70. Spartacus runs for 3 hr. 25 min., including a brief intermission, employs 100 major sets, 8,000 extras and far more big names than most marquees can carry-among them Kirk Douglas. Sir Laurence Olivier, Jean Simmons, Charles Laughton. Peter...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 24, 1960 | 10/24/1960 | See Source »

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