Word: widmark
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...Farewell package, TIME paid homage to the top tier of notables, all sorely missed. Other, longer tributes - to actors Richard Widmark and Suzanne Pleshette, film directors Damiano, Jules Dassin, Youssef Chahine and Robert Mulligan, playwright Harold Pinter, actress-chanteuse Eartha Kitt, FX wizard Stan Winston and movie critics Gary Carey and Manny Farber, as well as the uncategorizable Forrest J Ackerman - were published upon the deaths of these worthies and can be found through Google or on TIME's search engine...
...Lupino could play waifs or wantons, but she always gave her characters the wit and glamour required to wrestle with their fates. In Moontide (1942), she's the last hope for French icon Jean Gabin; in Road House (1948), she's the torch singer hired by punk Richard Widmark: two solid noirs starring one classy dame...
...When called by Congress to testify about his early membership in the Communist Party, Dassin skipped to London, where Fox production chief Darryl Zanuck let him shoot the Brit-noir Night and the City. It stars Richard Widmark (who died, also in his 90s, a week before Dassin) as an American tout aiming for the big score, then fleeing from its consequences. In his goon period, with that weird smile (his upper lip raised as if by invisible fish hooks), and outfitted in a checkered jacket so loud it practically barks, Widmark is the perfect sucker in a nightscape made...
...many, his visage evoked the cackling, maniacal villain Tommy Udo pushing an old woman tied to a wheelchair downstairs, in the 1947 film Kiss of Death. But offscreen, Richard Widmark played the true gentleman. Over his career, the chiseled, unconventionally handsome actor portrayed a vast array of characters--from frontiersman Jim Bowie in The Alamo to the head of a psychiatric institution in Cobweb to the corruptible boxing promoter Harry Fabian, one of his most memorable roles, in Jules Dassin's Night and the City...
...many stars today have the emotional equilibrium to keep their private lives private. (Meryl Streep is an exception - how does she manage it?) The consummate professional, Richard Widmark made his ripples and waves only on-screen. He had worked with plenty of notorious stars and tempestuous directors, but never wrote a tell-all autobiography, perhaps because he thought that secrets were best kept, not spilled. "I think a performer should do his work," he said in 1974, "and then shut up." He let his acting do the talking, snarling and giggling. And that was eloquent enough...