Search Details

Word: widmark (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...20th Century-Fox), is a late addition to Hollywood's muster roll of World War II movies, but it turns out to be one of the most absorbing of the lot. The picture turns the trick in spite of a battleworn plot about a tough-minded commander (Richard Widmark), whose overzealous sense of duty alienates his men (Dana Andrews et al.) until the crisis of battle finally brings them together. Its secret weapon: the work of the Navy's underwater demolition teams, the swimmers who spearheaded U.S. amphibious invasions from Sicily to Okinawa...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 9, 1951 | 7/9/1951 | See Source »

...other hand, Reginald Gardiner Portrays a man who is just as brave and twice as admirable as Richard Widmark's lientenant. He proposes to survive the war and he also recognizes that maybe all the superimposed homogeneity of the Marines dosen't have much to do with their fighting efficiency. Perhaps in the future Hollywood should concern itself with the activities of the Citizen Army...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 2/5/1951 | See Source »

Like other recent war films (Battleground, Sands of Iwo Jima), Halls of Montezuma concentrates on a single platoon, this time headed by an ex-schoolteacher (Richard Widmark) who is harried by battle-induced migraine. Unlike the others, Halls gives its characters some dimension and illusion of freshness. The characterizations of Lieut. Widmark and two insecure enlisted men (Richard Hylton, Skip Homeier), for example, are bolstered by short flashbacks to civilian life. Scripter Michael Blankfort also goes beyond lip service to the standard war-is-hell theme; his marines (including Walter Palance, Karl Maiden, Bert Freed and Richard Boone) grimly prove...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 15, 1951 | 1/15/1951 | See Source »

...Richard Widmark is frightening as Ray Biddle, a hood who conjures up a race riot. As an individual or a type, Biddle would seem psychopathic; instead, his role in the film is a symbolic, gathering behind one grinning mask all the virulence of Beaver Canal. In the only role of individuality, Linda Darnell is a slattern trying to escape from her slum background, who betrays and then rescues the Negro doctor (Stephen Poitier) accused of murdering Biddle's brother...

Author: By Daniel Ellsberg, | Title: THE MOVIEGOER | 12/9/1950 | See Source »

...screen's toughest blast at anti-Negro prejudice; with Sidney Poitier, Richard Widmark and Linda Darnell (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Dec. 4, 1950 | 12/4/1950 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Next