Word: widowed
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Dates: during 1990-1999
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...took what was offered. You don't know what you're going to get down the road," says a security guard, a widow who has belonged to HUGHP for 15 years. "It's a bird in the hand versus two in the bush...
True enough, the Bible has a great deal to say on the subject of zippers or their A.D. 1 equivalent. Thou shalt not lust after your neighbor's wife or livestock. Thou shalt not spill the seed that was intended for your brother's widow. Thou shalt not divorce and, better yet, not even marry in the first place but wander around single and celibate, spreading the word...
...insatiably horny whenever it rains. Feldman's cartoon-like raving is terrifying and funny; he captures all the extremities of Bloody Five's moods, including his bewilderment as his grip on reality slips further and further away. A complement to Bloody Five's hysteria is the cool and calculating Widow saloon, who handles Bloody Five with nerves of steel and a hunger for money. Catherine Steindley's portrayal of Begbick is campy and shrill, but at times she reveals a vulnerability and sense of loss which, though not strictly Brechtian, is a welcome respite for the audience...
...production of The Mother, originally seen on the Philco Television Playhouse in 1954, is something of a revelation. By today's lights, it seems rather dated, obvious and slight. The plot is minimal: despite her children's pleas, a 66-year-old widow insists on looking for work. She manages to get a job as a seamstress but is fired after one day. Depressed and lonely, she spends a night with her daughter and son-in-law. Then she decides to try again. Fade...
After the death of Mr. Coleridge, his widow, Katherine, descends upon the life of her step-daughter, Isobel (Juliet Stevenson.) Isobel's sister Marion (Penelope Wilton) convinces her sister to make room for Katherine in her graphic design business, which she runs with her boyfriend, Patrick. Isobel is uneasy given Katherine's destructive personality, and her disinclination to expand the business. Finally, Marion and her husband, Tom, (Alan Howard) provide the capital to transform the business from a two-person living room operation to a bustling corporate production. The aforementioned knifing scene is the turning point, when both the business...