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...which is itself hustling to a Coronation, an accurate interpretation of its great-grandparents, and their times. While society wept over the sentimentality of its men of letters, one alone among them was striving to reform the more ugly aspects of life. Dickens was indeed at work here to wield the powers at his command to raise the lower classes from the degradation and poverty which he knew so well. Not only does "Coronation Summer" paint a portrait of Victoria, her coronation, and her era, but it brings out in vivid colors the emotions and the intellectual ambitions which resulted...

Author: By J. G. B. jr., | Title: The Bookshelf | 5/27/1937 | See Source »

...reaches for the Rhine gold, while the hands of the Rhine Maidens attempt to restrain him. At the right is the curse of the Ring, the mailed fist thrust through the Ring and holding a sword, which symbolizes the threat of destruction with fire and sword by those who wield the power of the Ring...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 12/18/1936 | See Source »

...industrialists and wealthy men can wield a very great influence in the remolding of America's social and economic set-up. By helping the administration to the best of their abilities, they can prove their public spiritedness, and make the necessary readjustments quickly and efficiently. If they refuse to cooperate and appeal to the shades of Calvin Coolidge to keep the future away from their doors, they will arouse class antagonism and cause a serious rift in the community...

Author: NO WRITER ATTRIBUTED | Title: EVER FORWARD | 11/18/1936 | See Source »

Some worn old tool of my own, Will be turned up by the plow, The wood of it changed to stone, But as ready to wield...

Author: /time Magazine | Title: Books: Yankee Poet | 6/8/1936 | See Source »

...Ferruccio Giannini, a tenor who could boast that he had once sung with Patti. At home the Gianninis made music all the time. The mother Antoinetta played the violin. Daughters Euphemia and Dusolina sang. Vittorio played the piano. Son Francis had a cello when he was big enough to wield one. Dusolina Giannini was 9 when she made her debut at her father's little theatre. At 12, she sang Azucena in 77 Trovatore, a performance in which her father was supposed to be her son. Last week Ferruccio Giannini sat in a box at Manhattan's Metropolitan...

Author: /time Magazine | Title: Music: Aida from Philadelphia | 2/24/1936 | See Source »

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