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Word: wien (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...complained later that it was not the national anthem (Wilhelmus van Nassouwe) at all, but just a patriotic song (Wien Neerlandsch Bloed...

Author: /time Magazine | Title: Sport: Anthem Night | 2/7/1949 | See Source »

...International Edition of Jan. 13 re cinema actress Lida Baarova, wife of Gustav Frohlich, in the famous Goebbels slapping incident. Your article states Frohlich has not been heard of since. He is not only alive, but just finished a picture in Berlin, which is at present playing in Theater Wien on Kurfurstendamm. ... I told Frohlich he was dead, but he would not believe me. . . . JOHN F. RENICH...

Author: /time Magazine | Title: Letters, Feb. 17, 1947 | 2/17/1947 | See Source »

...love story of the Austro-Hungarian royal heir (Harry Stockwell) and his unroyal Marinka (Joan Roberts) furnishes a good deal more low comedy than high romance. It is told without style or period elegance, in a lurching effort to reconcile antics with atmosphere. As a result, the Alt Wien of 1888 and the Broadway of 1945 constantly collide, and neither wins out. The whole thing merely smacks of something in between the two-operetta the world over, circa...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Jul. 30, 1945 | 7/30/1945 | See Source »

...postwar vistas, the most alcoholic of Beverage Plans. And it is simplicity itself. No futuristic dream, Rose's postwar world is merely the good old days. Beginning with a riotous "Night of Unconditional Surrender," it shows a restored Gay Paree of foamy-petticoated cancan dancers; a restored lustige Wien waltzing to Lehar and Strauss; a melodious potpourri of old Jerome Kern tunes. Last comes a Victory Ball attended by Roosevelt, Churchill, Chiang Kai-shek and Stalin. Making up in jubilation for what it lacks in taste, Rose's version of the Four Freedoms is four galumphing female heavyweights...

Author: /time Magazine | Title: The Theatre: Comforting Picture | 6/14/1943 | See Source »

...Music has often carried political meanings. When the Marseillaise was banned in Austria in 1840, Robert Schumann deftly quoted from it in his Patchingsschwankaus Wien (Viennese Carnival Joke). The mere name of Verdi was a slogan for Italian nationalists, because it was an acrostic for the then uncrowned "Victor Emmanuel Red'ltalia" (King of Italy). Sibelius' Finlandia rallied Finns when Finland belonged to Russia. And nowadays the opening "Fate" theme of Beethoven's Fifth Symphony (corresponding to the Morse code . . . ) symbolizes occupied Europe's V campaign...

Author: /time Magazine | Title: Music: Czech's Anniversary | 9/22/1941 | See Source »

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