Search Details

Word: wien (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Several members of the Schools Committee added that still another major obstacle is lack of effective coordination with the schools committees of the Harvard Clubs. "These clubs," said Byron R. Wien '54, "have been decidedly remiss in following up prospective freshmen. Without effective integration of undergraduate and alumni groups the program has little...

Author: NO WRITER ATTRIBUTED | Title: Exiting Key Head Asks Closer Official Liaison | 2/26/1953 | See Source »

...Merry Widow," in modern dress, waltzed into Boston Monday night and will be receiving guests at the Shubert Theatre for the next two weeks. This up-to-date version of Franz Lehar's evocation of Alt Wien is just about as Viennese as Mom's apple pie, but it is still a good show...

Author: By Lawrence R. Casler, | Title: The Music Box | 1/31/1952 | See Source »

...only holder of two Medaglie d'Oro, highest Italian war decoration); of a lung ailment; in Rome. In December 1917, Rizzo and a small commando force sneaked into Trieste's harbor, cut the torpedo nets, then returned with small boats to sink Austria's battleship Wien, next year equaled the feat by torpedoing the Szent-Istvan...

Author: /time Magazine | Title: Milestones, Jul. 9, 1951 | 7/9/1951 | See Source »

...shabby little (950 seats) Theater an der Wien was packed. And Vienna was particularly pleased to see that the first two right-hand rows were solid with Russians who cheered with everybody else. It was not greatly surprising that the Russians had come-after all, the opener was Tchaikovsky's Eugen Onegin, a longtime Russian favorite. The surprise was that they had joined inwith hearty applause for tall, dark-voiced U.S. Bass-Baritone George London (TIME, Jan. 9), who sang the title role...

Author: /time Magazine | Title: Music: Comeback In Vienna | 10/30/1950 | See Source »

Once subsidized by the Habsburgs but now granted about $1,000,000 a year by the Austrian government, the company performs every night for ten months a year in two houses: major productions in the Theater an der Wien, lighter works such as The Gypsy Baron at the Volksoper in the U.S. zone. A good part of the company puts in an additional five weeks at the Salzburg Festival. Such continuous performing is one good reason for the high sheen of the company's ensemble...

Author: /time Magazine | Title: Music: Comeback In Vienna | 10/30/1950 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | Next