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...Alexander S. Wiener and Philip Levine, whose parallel work in New York City showed that the Rh factor is a major source of blood incompatibility, and that this incompatibility may in turn cause irreversible brain damage (personal awards of $6,250 each...

Author: /time Magazine | Title: Research: Food & the Mind | 4/22/1966 | See Source »

This reasoning is an example of what philosophers call the fallacy of equivocation: what Shannon and Wiener, inventors of information theory, meant by "communication" is not what Moles has in mind. However, trying to apply a theory in new domains is fair game, so we proceed...

Author: By Wilson LYMAN Keats, | Title: The Joel E. Cohen Translation of Abraham Moles's "Information Theory and Esthetic Perception" | 3/18/1966 | See Source »

...Joining the Young Democrats at Harvard," former president Peter Wiener explained recently, "is like joining Hillel when your high school is 90 per cent Jewish--when you're in the majority you might join, but won't care...

Author: By Linda J. Greenhouse, | Title: Young Dems Search for Something Significant to Say | 3/10/1966 | See Source »

Today, throughout the Western world and especially in America, man's attitude toward the mystery of death is making a break with human tradition. Medically, death seems to be constantly receding, and some scientists think seriously about an almost indefinite life span for man (the late Norbert Wiener, for one, was horrified at the prospect of the overcrowded world this might bring about). Socially, the rites of death and mourning, except at those rare times when whole nations hear the muffled drums for a Churchill or a Kennedy, are growing more impersonal and grudging. Religiously, the promise of immortality...

Author: /time Magazine | Title: Essay: ON DEATH AS A CONSTANT COMPANION | 11/12/1965 | See Source »

...RNBERG (RCA Victor; 5 LPs). There is no single coruscating star unless it is Conductor Joseph Keilberth, who makes the long score snap with life rarely caught even when recorded, as this was, during a performance (the opening of the rebuilt National Theater in Munich). Basses Otto Wiener and Hans Hotter give their well-established interpretations as Hans Sachs and Veit Pogner, but the freshest voices belong to two Americans, Soprano Claire Watson as Eva and Tenor Jess Thomas as Walther...

Author: /time Magazine | Title: Television: Apr. 9, 1965 | 4/9/1965 | See Source »

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