Word: wife
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Fresh from Rachel, Rachel and stale from lack of motivation, Paul Newman and his wife Joanne Woodward career through the movie looking for an opportunity to display their talents. They have to struggle with a plot as full of gimmicks as a garage. Race Driver Frank Capua (Newman) meets aging Avis girl (Woodward). She tries harder; he marries her. Alas, Capua suffers from autoeroticism. Night after night' he stays at the speedway, revving up his car instead of his wife. One morning he comes home to find her in the arms of another driver (Robert Wagner...
...with the lower world. A sampler in the officer's bedroom reads, "In the Alps there is no sin." Though he takes it to mean "all is permitted," its meaning is that sin will be obliterated. As the officer and husband begin the ascent, a guide tells the wife they will be safe, if they only will eave their worldly attachments behind...
Blind Husbands (1918 beings as an American, his wife, and a German officer enter Cortina d'Ampezzo on vacation. The officer, noticing the husband's neglect of his wife, makes advances to her. At first, he is tolerated. The husband, becoming suspicious, proposes the ascension of the Pinnacle of the Monte Cristal, a place "where man is small and God great." The drama--to that point a series of flirtations in the village below--immediately tightens on the characters as they begin hiking to the lodge...
...flooded with light, are followed by shots of them inching up a rock face. When they finally reach the top, the officer collapses, exhausted. The other, picking up his coat, discovers a letter written to the officer by a woman. The husband asks him if it comes from his wife; on the officer's insolent reply, be attacks him. The entire scene atop the peak, like the preceding climbing scenes, has the characters standing on rock against an entirely white horizon. The screen has been stripped down to the men and their material surroundings; rooted on the rock, they snarl...
STROHEIM shows the same tension between his characters' aspiration to virtue and their weaknesses in Greed (1923). Its plot follows a young dentist and his wife as they decline from security to poverty. Stroheim, directly equating their material situation with their moral states, places them in real settings. At the same time he floods the early scenes with light, expressing in extraordinary art their wish for purity...