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Word: wife (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...crazy flyers were babbling things like 'Me-109 at 2 o'clock high!' and going 'Ack-ack-ack-ack!' General Donovan was looking through my briefcase and reading everything in it, including letters to me from my wife." Why did he do that...

Author: /time Magazine | Title: In Washington: A Pride of Former Spooks | 11/12/1979 | See Source »

...phones his real father infront of Mother's new man because he instinctively knows it will hurt them and at the same time he knows they can't stop him Or the lone spouse who chain-smokes in "the blue light of midnight" while his unconscious wife snores contentedly beside him, unaware of his terrifying spiral into chaos...

Author: By Susan C. Faludi, | Title: The Meaning of a Missing Sock | 11/10/1979 | See Source »

Only under the worst conditions does Updike envision that men can begin to dismantle the obstacles between them. Pain alone links Tod and his wife. Pumpkin, in "Love Song for a Moog Synthesizer." Tod responds to Pumpkin's need for human sympathy only when she offers a "piece of herself, transferred to his ribs, his kidneys, as pain." Love attaches itself only "to what we cannot help," Updike observes grimly. In another tale of marital wrangling, then, the wife gets through to her husband only by inducing desperation like a "hooked claw," evolving "psychic protuberances that penetrated and embraced...

Author: By Susan C. Faludi, | Title: The Meaning of a Missing Sock | 11/10/1979 | See Source »

...action takes place late one night after a party in a small New England college town. Martha (Karen Shallo) and her husband George (Pirie MacDonald), return to their home accompanied by a newly married, recently arrived couple, Nick (Ralph Redpath) and his wife Honey (Joy Bond). In the ill-defined hours of early morning, the four play out a series of nightmarish games of confrontation. The cob web illusions that cling to the consciousness are torn away to reveal ugly truths long hidden...

Author: By Amy R. Gutman, | Title: Treading the Fine Line Between Illusion and Reality | 11/8/1979 | See Source »

REDPATH USES his G.I. Joe good looks to their best advantage in his portrayal of Nick. He struts about the stage, creating a perfect image of the promising young professor. His behavior toward his wife is unimpeachable. And yet there is something vaguely wrong with Nick: a softness in his manner, a feminine note to his giggle, his smugly self-righteous defense of modern science. Redpath fully exploits these disturbing qualities...

Author: By Amy R. Gutman, | Title: Treading the Fine Line Between Illusion and Reality | 11/8/1979 | See Source »

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