Word: wifely
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Dates: during 1930-1939
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...lyric vapour in which he so often drowns, but also because of his non prehensible morphology, the contours of the Venusberg, one of the last mountains ascended by Wagner, . . . are much more difficult to delimit. . . . You will see Louis II, Venus, Leda, the Swan, Sacher Masoch and his wife, Lola Montez. You will see the Three Graces, with so many graces attached to their anatomies that it is incredible...
Social rigmarole bores him stiff: he detests dinner-parties, loathes travel, has never been to the opera, took his first drink at 30 and has taken few since. He fights innovation, was almost the last person to adopt soft collars and a wrist watch, was once told by his wife "It's a good thing you were not the world's first baby, or you'd still be crawling...
...With his wife and 14-year-old daughter, he lives part of the time in a big Manhattan town house, part of the time on a 50-acre estate in Pennsylvania's literary-minded Bucks County. Dark-eyed, grey-haired Beatrice Kaufman, whom he married in 1917, is gay, sociable, hostessy, keeps her husband in touch with such friends as Woollcott, Harpo Marx, the Robert Sherwoods, the Irving Berlins. To Woollcott, whom Kaufman has hilariously scalped in The Man Who Came to Dinner, and who has been at different times his collaborator, brief biographer and boss, he is devoted...
...anarchist. With all the convincing changeability of the weather, he blusters and blows and comes away emptyhanded, while his Vinnie (Dorothy Stickney) scoops up the prizes. Given to impulses and to oldfashioned, faintly apoplectic swearing, Father understands very little of the world, and nothing at all of his wife. He would certainly not understand, for example, why for stage reasons his family is shown, in the play, eating breakfast in the living room. "My God, Vinnie!" he would howl, "a gentleman eats breakfast in the dining room...
Critics previewed the picture in London an hour after an air-raid warning had put them in the right frame of mind. What they saw was a frank propaganda picture starring Ralph Richardson* as a Flight Commander, Merle Oberon as his Red Cross wife. But the actors had little to do, less to say. Interest was focused on the actual techniques of air fighting. High light was a re-enactment of the Kiel raid, showing the actual participants leaving and (some of them) returning. The film's thesis: Britain has developed air defenses that can scatter the modern Invincible...