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Word: wigged (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

While the cameras flashed and the crowd cheered, Jackson donned a blond wig and a bra made of two foam hamburgers topped with sparkling fake cheese slices--a reference to his "Pulp Fiction" role--to receive his Pudding...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: Pudding Royally Roasts Jackson | 2/19/1999 | See Source »

After posing with two Theatricals actorswearing drag, Jackson addressed the audience,still sporting the wig...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: Pudding Royally Roasts Jackson | 2/19/1999 | See Source »

...recognition is present. The heroes and villains are tricky to discern because everyone is beautiful, but I would hazard that the former are the sensitive ones while the latter are the bitches. I win points for preceding that, take away her glasses and overalls and that ridiculous wig weighing her down her entire comportment, Laney Boggs (Rachael Leigh Cook), the single-minded and paint smattered and object of gamble will bloom into "all that...

Author: By Phua MEI Pin, CRIMSON STAFF WRITER | Title: She's All That, But He's Even More | 2/19/1999 | See Source »

Monty claims that as a young boy, wearing a wig, he was Elizabeth Taylor's stunt double for National Velvet. Larry says Monty did no stunt riding, and the book Liz, by C. David Heymann, lists Billy Cartlidge as Taylor's stunt double. Monty also claims that James Dean, a great buddy, lived with him before the filming of East of Eden. But, no, it seems; Dean's pal was Tony Vargas, according to Renebome and Vargas himself. California rancher Bill Dorrance, an early teacher of horse whispering, was "like a grandfather to me," Monty writes. But Dorrance...

Author: /time Magazine | Title: Books: Horse of a Different Color | 12/14/1998 | See Source »

...last scene, when the stage is turned into a gigantic Christmas party to the delighted ohs and ahs of the entire audience. After being told by Daddy Warbucks to get "gussied up," Annie descends the grand staircase wearing the classic red dress, shiny Mary Janes and curly wig, doing high kicks that would rival the Rockettes themselves. This happy scene is predictably interrupted by Annie's long-lost "parents"; but Schuck, as Warbucks, saves the scene with a masterful performance and a highly climatic rejection of the impostors...

Author: By Christina B. Rosenberger, CONTRIBUTING WRITER | Title: IT'S THE HARD KNOCK LIFE | 11/13/1998 | See Source »

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